Drone vs. Helicopter for Aerials: Top 5 Scenarios for Each

So you're a Director or Producer who trolls on Vimeo for creative ideas and inspiration. After weeding through a gazillion time-lapse and steadicam videos, you've hit on a school of ridiculously beautiful aerial shots. You keep telling your creative inner self, “We’re gonna find a place for this scene in a project!” Then the perfect project rolls around, and you put the shot into the storyboards and base another 3-4 shots on this visual hook because the ideas is so awesome. And you're super stoked. Then the Buzzkill happens...


Read More Wednesday, September 17, 2014 4:00 PM
Director Jeremy Pinckert breaks down each choice after filming 4K RED Epic aerial footage

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ProHUB’s Best Places to Work

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Give us a behind-the-scenes look into what makes your company an A-list place to work. Is it the fun-loving boss? The crew that turned into family? Amazing on-set locations or the holiday parties? Let us in on why your company is THE best place for a production professional to work!

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Stuck On On Takes Sizeable Post Challenges of "Boyhood" w/ SCRATCH

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Parke Gregg, co-founder and chief colorist at Stuck On On, met Richard Linklater while doing the challenging post-production for the "Slacker" tribute that was sponsored by the Austin Film Society, of which Linklater is the founder. The two later connected when Parke did the full post and DI for "Up to Speed" episodes that ran on Hulu, followed by Linklater’s highly acclaimed feature film, "Before Midnight." Most recently Parke did the full post-production and DI for Linklater’s latest film, "Boyhood."