Lighting for Drama - With Peter Stein, ASC

Lighting for Drama - With Peter Stein, ASC

General Information

WhenSaturday, October 27, 2012
Submission / Registration:http://abelcine-light-for…
LocationNew York, New York
VenueAbelCine, New York

Contact Information

Event HolderAbelCine, New York
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Event Details

As part of the Working Professional series, AbelCine has partnered with Peter Stein to present Lighting for Drama. Using light to create a “look” embodies principles that remain constant in every format and with all technologies. To shape light and create drama will enhance your story. Whether on a small independent project shot with a DSLR, or a handy cam; a studio production shot on film, or with the latest High Def equipment, the principles of good lighting remain the same. We will learn the basic elements of lighting, how to combine them and when to use them. This will be demonstrated in real lighting situations, so that class participants will be able to approach their own projects with a firm grasp on using light to full advantage.

Director of Photography on over 50 feature films, TV movies, and documentaries and member of the American Society of Cinematographers, Peter Stein has photographed classic cult films in the genres of comedy and horror, major studio releases, independent films, and noted documentaries. He has taught at SUNY Purchase and The School of Visual Arts, lectured on cinematography at many of the area’s universities and has been on the NYU graduate faculty since 2002 where he now serves as Head of Production. Currently he is producing and directing a documentary film for American Public Television about his father, the noted photographer Fred Stein. Visit his IMDB page for a detailed filmography.

Overview

Lighting for Drama will take the following into consideration:

Approaching a project as a lighting DP
Review of basic lighting setups
Quality of light – hard light compared to soft light. Why and when to use each type, and the problems involved with shaping them
The use of fresnels and open face lights
Cutting lights: use of barn doors, extending barn doors, placing nets and flags to help control and shape the light
Placement of key light
Lighting ratios
Background lighting
Motivated light
Making a scene more dramatic
Use of color
Fluorescent lighting
Lighting an interview – (If time permits)