There are different types of videos you can create for your client. There are also plenty of factors and costs involved in corporate video production. The success of a video project will greatly depend on the time and effort you have allocated toward properly planning the project. If you don’t have an outstanding idea and solid plan in place, no amount of production expertise can save your project.
Everyone today has a smart phone and simple access to upload their videos to websites and social media channels. But skilled video professionals with higher end equipment still reign supreme when it comes to quality. And with the growing need for live video, there are more opportunities and money on the table.
There are a lot of IBC preview lists (including our own) but I wanted to wait until the last minute so I could get you some of the latest info about IBC. So now, with IBC here, it is a perfect time to check out some of the latest gear that will be on display in the exhibition halls in Amsterdam. It is true that almost nothing beats actually getting on the floor to get some hands on time with the new stuff. But sometimes you just can’t get there. We get it. So if you can’t be there, don’t worry, ProductionHUB has you covered. But don’t think we are going to stop there. We plan to continue on extensive coverage during, and after IBC too. Make sure you are checking out the latest show updates on IBCHUB.com. Let’s Go!
The introduction of new technology can bring a combination of benefits and challenges for both manufacturers and customers. For instance, the shift towards digital-file based systems has sped up processes, multiplied creative options for production tools, and enabled collaborative workflows that would not have been achieved with film or tape. Even though broadcasters now have the ability to capture more media than ever before, this movement has brought new challenges to storage and asset management retrieval.
Screenwriting is a lot of fun, but there’s a big difference between a professional script and the rough draft of a first-timer. The very best screenwriters are constantly on the lookout for ways to improve their work, and this list is designed to help with that.
In our exclusive Q&A with Visual Effects Director Alexis Haggar, of London-based VFX house Lexhag, he talks about his work regarding the main title sequence for “Riviera,” Sky Atlantic’s new 10 part drama series starring Julia Stiles as the wife of a billionaire who uncovers the dark truth behind her opulent lifestyle.
Whether for functional need, budgetary alignment, or due to top-down pressure, any media and entertainment companies will benefit by executing parts of their workflow in the public cloud at some level. If an organization has less than, say, 50 terabytes of data to manage, it’s easy to move everything there. For those of you in this minority, you can stop reading this article and proceed directly to the cloud, and collect $200. The majority of organizations creating media have capacity needs that are at least one if not two orders of magnitude larger, i.e. multiple Petabytes.