Unmanned aerial vehicles (UAVs) are taking over the skies. They’re being used for everything from “reality capture” (as detailed for businesses to sheer enjoyment by hobbyists. As regulations become clearer and equipment grows increasingly affordable and user-friendly, the production industry is taking up its fair share of the sky, too. More video crews than ever are certified to fly small UAVs for commercial purposes. For more on what this means for both production crews and clients looking to hire drone services, we talked to Ryan Goble, Senior DP and FAA-certified drone pilot at Running Pony.
As we start winding towards the dog days of summer, I was recently given the opportunity to get in front of the URSA Mini Pro 4.6K and the DaVinci Resolve Control Panel. This was a new and different approach to looking at products that come through the doors at ProductionHUB. Normally we might get a camera or lighting kit but to get two production/post production related products together was cool. As a production professional (like many of you) I am always looking at the budget and ways to control costs. So the idea of being able to upgrade in the field and enhance the post-production suite without crushing the budget was enticing to say the least. But before I get there, lets take a look at where production always has to start. It starts with the camera of course.
Video editor, audio director, animator, DVD writer, camera operator… the list of jobs in video production is huge. All these professions have something in common: creativity. The job hunting process is similar, and the hiring decisions are usually based on the applicant’s level of creativity, professionalism, and commitment. Those are the things you need to show and prove throughout the application process.
My husband/partner and I have operated our San Diego video production company together since 1982. So after hundreds of video shoots throughout three-plus decades, we have learned what to look for when we need to hire an extra hand or two. But for those of you who are maybe looking to hire a freelancer for the first time, and you want to hire the best, here are five tips to keep in mind as you search.
Have you ever had to suffer through a dry, stale educational video that bored you to tears or made you want to pull out your hair? Such videos are common elements of many corporations’ onboarding and regulatory compliance programs, so they’re not going away anytime soon. For video content producers, there’s a real opportunity to transform such pieces—to generate enthusiasm instead of eye rolls at the mention of the term “online training courses.” The real challenge is producing something that doesn’t just convey the information, but also keeps viewers genuinely engaged, smiling, and clicking for more. It takes a special knack. For more on this special touch, we interviewed A. Troy Thomas, President and Owner of Inertia Films.
When applying for a job, people often say it’s not what you know, it’s who you know. Well, we call BS on that.
In our industry, talent and creativity are obviously paramount. But that’s a little vague, isn’t it? What are employers in the VFX business really looking for? Production studio Saddington Baynes give us the breakdown on just what it takes to make it in CG – from preferred career paths, to building a standout portfolio, and fit with office culture.