Blog Posts Keyword Search Results

Jellyfish Pictures has deployed Hammerspace to advance its virtual studio strategy and fuel its massive business growth. It also saves 20% on its cloud rendering projects by using Hammerspace to enable content and leverage the most cost-effective cloud compute region without concern for where the content was created.

by Kholi HicksBlackmagic Design’s first Cinema Camera offers great value in a small package: 13 stops of dynamic range, 2.5K Resolution, Linear RAW data in an open-source format (Cinema DNG), options to acquire in high quality, straight-to-the-edit industry standard formats such as DNxHD and ProResHQ, as well as both PAL and NTSC options in one single unit.

Hacks cost the media and entertainment industry hundreds of millions of dollars in unrecoverable asset monetization and many professionals could potentially lose their job and even careers as a result of these significant losses. Sony Pictures, HBO, Netflix have all suffered from stolen content and major losses. Today, media facilities all over the world are looking at ways of preventing hacks and securing their lucrative content.

Filmmaker Andi Hoffmann proves that with a lot of creativity and a little help from Atomos you can make a high quality, high concept music video - even without the very latest camera.

The last decade’s “democratization of filmmaking” is a truly wonderful thing. It has enabled more people to create via a lower barrier of entry, resulting in multimedia experiences that would never have seen the light of day several years earlier.

Re-creating the past can be challenging for filmmakers, especially when tasked to duplicate the look of a particular time in history for a period movie. Add a tight budget, cramped locations, and underwater photography, and you have the situation James Chressanthis, ASC, faced as cinematographer for the movie The Watsons Go to Birmingham. Based on the novel by Christopher Paul Curtis, the film depicts a fictional family’s 1963 road trip intersecting with an actual terrorist bombing during the civil-rights era. To help with some of the film’s challenging production requirements, Chressanthis used two EOS C300 Digital Cinema cameras and EF-series lenses from Canon U.S.A., Inc., a leader in digital imaging solutions.

Over the last decade, video content collaboration has undergone massive changes, thanks in large part to shifts in how, when, and where we work. Previously, most video production team members saw each other daily. They enjoyed impromptu project reviews and remained relatively on the same creative page. Though miscommunications still happened, issues could be identified and resolved rather quickly because everyone was in one room.

I was asked by 4KHUB to do a Sony PXW-FS7 review for their site. I have contributed content to 4KHUB.com since it’s launch (and also to ProductionHUB over the years).

I'm Luke. Tech fan, engineer, history buff, developer, and closet Sim Racer. I work for Other World Computing as a Product Manager for our networked line of solutions. More specifically, the OWC Jupiter system.

As promised, I told you that there would be a Part ll of our 2020 Virtual NAB coverage. So here it is! There is so much going on that I (almost) don’t know where to start except to add one thing - I can tell you that all of the companies that I deal with have really stepped up their game. Whether it is online tutorials, webinars, or virtual press conferences, they are making their presence known.