12 blog posts found matching keyword search for: 3D Camera Systems in Bridgeport
Real-time Augmented Graphics that Blend the Real and Virtual Worlds with Marker-less Camera Tracking
Augmented graphics have come a long way in the past decade, from formerly rotund weatherman Al Roker obscuring the first two days of the seven-day forecast to reporter Jessica Yellin channeling a holographic Princess Leia while discussing results of the 2008 presidential campaign with Wolf Blitzer. Fast forward ten years and the real and virtual worlds are blending into one.
Over his 30 years in production, Alan Lennox has worked in many capacities leading up to camera operator and then specializing in Steadicam. He is currently an active member of the Society of Camera Operators, IATSE 667Toronto, IATSE 669 Vancouver and other industry associations. Alan was one of the first operators to adopt the ARRI Trinity -- the first hybrid camera stabilizer that combines classic mechanical stabilization with advanced active electronic stabilization. He then joined ARRI as the Camera Stabilization Systems (CSS) Specialist for the Americas. Currently, Alan shares his time between supporting CSS sales, demonstrations and tradeshows and also leads ARRI’s CSS workshops for the ARRI Academy for Maxima, artemis, Trinity and Stabilized Remote Heads.
Parachute Creates a Legendary Ballgame in an Empty Stadium for Chrysler with Blackmagic Fusion Studio
Parachute founder Sam O’Hare discusses how VFX created the perfect night at the ballpark for Chrysler and Miggy Cabrera When Miguel Cabrera swings the bat, there’s usually a stadium full of screaming fans around him. However, for Chrysler’s “Miggy at the Bat” commercial, the stands were empty.
Blackmagic Design DaVinci Resolve 15 Studio is a very interesting post-production offering. Resolve 15 Studio has so many options and directions you could lose yourself and endlessly work on improving just that one clip if you don’t keep track of your sessions. Let's take a look at the many facets of Blackmagic Design Resolve 15 Studio.
The release of full frame cameras like Arri’s LF, Red’s Monstro, Canon’s C700, and Sony’s VENICE has made it clear that the future of cinema is headed toward larger sensor sizes. Of course, we have been shooting full frame video ever since the Canon 5D Mark II. But it’s only recently that high-end cinema camera manufacturers have brought larger sensor cameras to the market.
Metadata is an invaluable source of information in the content creation industry, enabling people to search, find and manage content quickly and easily. However, while the value of metadata is a given for archiving, it is largely overlooked at the acquisition stage. While some metadata from the lens is currently used on set for monitoring levels, there is so much more it could do that could save significant time and money during production and post.
Over the last couple years, we’ve seen growing interest in virtual reality and 360-degree video experiences. In the ever-evolving live streaming landscape, these technologies are emerging as two of the most innovative trends gaining mainstream attention-powering events such as live sports and concerts, not to mention new projects and jobs for video professionals who know how to bring these technologies to life.
Is this not a great business to be in? Hard to believe not to long ago that the 2017 NAB was wrapping up. Officially, the National Association of Broadcasters tabbed the attendance at 103,443. Which after twenty something NAB shows sounds and feels about right. But before we get into some of the cool new products we looked at, some perspective and analysis is definitely in order.
Flash memory is finding increased use in client and enterprise applications because of its higher performance compared to hard disk drives. As the $/GB price of flash memory declines these applications are increasing. For professional media and entertainment projects dealing with higher resolution and higher dynamic range workflows, performance matters. We will look at developments in flash memory in digital media content capture and creation, post production, content distribution and even in archiving.
I was asked by 4KHUB to do a Sony PXW-FS7 review for their site. I have contributed content to 4KHUB.com since it’s launch (and also to ProductionHUB over the years).