53 blog posts found matching keyword search for: Boom in Oceanside
K-Tek Hosts Open House for Location Audio Professionals
K-Tek, known throughout the professional audio industry for its rugged and lightweight microphone boom poles, accessories and audio equipment bags, hosted location audio professionals to an open house and seminar at K-Tek’s Vista, CA headquarters. Get an inside look...
Published on Monday, March 16, 2015 12:30 PM
Introducing Dialogue Match: iZotope's Brand New Tool That is Revolutionizing Dialogue Editing and ADR Workflows
Dialogue Match is a Pro Tools AudioSuite tool intended for re-recording mixers who deliver the final sound mix for films and television programs. For decades, these mixers have had the tedious job of matching dialogue from lavalier, boom mics, and ADR in order to create a seamless and cohesive dialogue performance. This long and work-intensive process takes valuable time away from crafting the sound of a scene and producing a final mix. Using machine learning, Dialogue Match reduces this process to seconds, making it the first tool to automatically learn and match the reverberant character of dialogue recordings.
Published on Monday, November 11, 2019 10:00 AM
The Importance of Sound
You might think video production is all about, well, video, but sound connects an audience to what they are seeing. It adds emotion, supports the visuals, and every edit cut and it defines the overall mood and tone of your narrative.
Published on Wednesday, July 31, 2019 10:24 AM
DPA 4097 CORE Interview Kit: Getting Good Sound
So as it has been said, necessity is the mother of invention. As distancing for a variety of production situations persists, the DPA CORE Interview Kit is a solid addition to any production package that requires solid interview audio, with a lot less background noise, the talent from a distance— all without breaking the bank($585US). Not too much to ask right? Here is why in my opinion the DPA 4097 CORE Interview Kit might be a good fit for you.
Published on Monday, November 2, 2020 10:00 AM
Sound Insight with Production Sound Mixer José Frías
With a career that spans back to his days in recording more than a decade ago, Production Sound Mixer José Frías has long-held a love for the audio industry. Although he got his start in music, he’s held many different audio production roles, which has led to his working on projects for high-profile clients, such as Motorola, IBM, ESPN, Time Magazine and more.
Published on Friday, October 4, 2019 10:00 AM
DPA Microphones Help Capture the Sound on Mad Max: Fury Road
DPA Microphones is delighted to have played a key part in capturing the sound for this high octane movie. Award-winning Production Sound Mixer Ben Osmo chose the company's d:screet™ 4063 Miniature Microphones with low sensitivity and low voltage to record dialogue during the shooting of action scenes that involved fast, furious and bumpy chases across the Namibian desert. He also used DPA d:screet 4062 Miniature Microphones with extra low sensitivity for cabled recordings of various vehicles, and these were held firm inside each vehicle by DPA magnet mounts.
Published on Wednesday, July 1, 2015 12:02 PM
The Ultimate Video Editor's Wish List
Over the last three decades, I have served as both a Camera Operator on various shoots in San Diego and as a Video Editor. It is good to have experience in both realms because as an Editor you know what to shoot, and as a Shooter you keep in mind all the shots that the Editor will want. “Tape is cheap” is an adage popular during the digital tape days meaning that the camera operator shouldn’t feel constrained about shooting a lot of footage. Strive to be the camera op whose every clip is usable.
Published on Tuesday, June 7, 2016 1:44 PM
Subscription-based models: A future-proof solution
As we begin to look to 2022, it’s clear that subscription-based business models will continue to gain popularity with media organizations.
Published on Friday, January 14, 2022 10:00 AM
5 Wicked Mistakes to Make While Filming
Picture this, you get home from a grueling shoot and realize to your red-faced chagrin that you have absolutely nothing to work with. The audio is shoddy, the shots are overexposed, the focus is wrecked... Whatever it is, you’ve botched the project and you may never get a second chance to fix it.
Published on Wednesday, October 26, 2016 2:39 PM
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