81 blog posts found matching keyword search for: Distribution in Brownsville
The amount of video content created, consumed and shared around the world is growing by the day. Content owners have been introducing new business models to both monetize their content and create enhanced consumer experiences that drive revenue growth across the video market landscape – such as day and date distribution.
Orlando Film Festival celebrated it’s eleventh year by screening over 50 features and upwards of 250 shorts. For five days, filmmakers and fans gathered at Cobb Theater to attend panels, network and support their favorite pieces. It was an amazing showcase of what makes 21st independent film so great, with work from seemingly every genre represented. Whether or not you were there for Best Picture winner Te Ata, the inspirational story of a Chickasaw woman who made her fame educating early 20th century America and the world about her culture at a time when her own customs were illegal under the law, or Indie Spirit award-winner Shooting Clerks, a biopic about the making of Kevin Smith’s cult classic Clerks or any number of the truly impressive short films that made their debuts this weekend, OFF has undoubtedly primed many amazing films for public viewership beyond the festival circuit.
SMPTE was hosting a major push on the IMF specification (SMPTE ST2067) with the Digital Production Partnership (DPP) out of England. The IMF specification was created to make the Interoperable Master Format (IMF), interoperable, so vendors and customers could use it. The IMF standard requires changes in the way that content is created in order to make greater efficiencies for broadcast and online content distribution. In addition to SMPTE and DPP, the North American Broadcasters Association (NABA), The European Broadcasting Union (EBU), several manufacturers and end users have been involved in making the IMF specification.
The Cloud itself is pretty simple, but for broadcasters, leveraging it can be complex. It isn’t that difficult technically, but Broadcast still straddles requirements that demand real time, high resolution, quick turnaround solutions; and this is coupled with the need to connect geographically separate locations, reduce costs, and extend access to assets for multi-format distribution. All of this has meant that the conversation about the Cloud has evolved rapidly from asking the basic question “What can I do in the Cloud?” to trial projects and implementations that are now underway or under evaluation.
Sony Creative Software, a leading provider of professional video and audio editing applications, today announced the availability of the latest upgrades to their award-winning line of consumer products which include Movie Studio 13 Platinum and ACID Music Studio 10. These applications offer aspiring independent filmmakers and music producers the tools to produce compelling, professional-quality projects for distribution from the desktop to the cloud.
While keeping warm in Miami at NATPE this week, we thought we'd share a quick interview with Wayne Scholes, CEO and Chairman of Red Touch Media. He is a panelist on the Platforms Accelerated track at NATPE, titled "Let’s Make a Deal: Trading Premium Content for User Data," a topic he can delve into deeply, in addition to talking about his insight/outlook on the digital content industry.Get insight on the entertainment and technology industries, recent content distribution deals & more.
Congratulations. You did it. You finished your indie film. But, now you need to get people to SEE it. That’s where Smarthouse Creative enters the picture. We’ve worked with hundreds of independent filmmakers around the world to help them craft unique creative distribution strategies, while also supplying world-class film marketing and publicity services. That’s why you should believe us when we give you the following breakdown of what you’ll need to successfully market your film.
Flash memory is finding increased use in client and enterprise applications because of its higher performance compared to hard disk drives. As the $/GB price of flash memory declines these applications are increasing. For professional media and entertainment projects dealing with higher resolution and higher dynamic range workflows, performance matters. We will look at developments in flash memory in digital media content capture and creation, post production, content distribution and even in archiving.
Over the years, I have had the pleasure of meeting with and speaking to incredibly talented independent filmmakers in various stages of their filmmaking careers. Some of whom are innately new media savvy and they understand the value that publicity brings. In addition to having an entertaining or powerful story to tell, they understand that marketing and publicity are essential to premiering at a film festival, finding distribution, and selling tickets as well as to building a long-term film career. The most astute filmmakers are those that budget for and hire a publicity team. Others want to take on publicity themselves. If you’re going to DIY your film’s publicity, keep these things in mind:
Visual Data Media Services provides post-production services, film scanning and transcoding for a wide range of international customers, preparing content for distribution across the world’s premier broadcast channels and digital platforms. For more than two decades, the company has successfully provided everything from ingest and scanning to editing, captioning and localization, growing to become a premier resource for the entire mastering and delivery process. But last year, with a tremendous increase in 4K and ultra high definition (UHD) projects, Visual Data’s systems were struggling to keep up.