209 blog posts found matching keyword search for: Editing in Dunkerton
G2 Crowd, the world’s leading business software review platform, recently released a report around video editing software. After analyzing more than 200 user reviews of eight different video editing products (Adobe Premiere Pro, Final Cut Pro X, iMovie, Avid Media Composer, DaVinci Resolve, Edius Pro, Sony Vegas Pro and HitFilm4Pro), trends emerged around what features need improvement, as well as features that are key positives in the video editing processes.
Director and editor Todd Douglas Miller sifted through NASA’s archives and used Adobe Premiere Pro to piece together the story in a way that has captivated audiences. He takes viewers back in time to the center of the excitement with perspectives from Mission Control, the astronauts, and the many spectators who watched the historic launch. Todd received the Sundance U.S. Documentary Special Jury Award for Editing and he spoke with ProductionHUB.
A 2001 graduate of Full Sail University, Frank Scheuring has worked in sound for television and film for nearly 15 years. During that time he has been a part of over 1,300 programs for clients such as Discovery, the National Geographic Channel, FOX, TLC, PBS, G4TV, the Smithsonian Channel, and a slew of independent directors and producers. In addition to his long form work, he has worked on hundreds of commercials and marketing videos for clients such as the Washington Capitals, Washington Wizards, Pfizer, Ford, and many political candidates. In 2014 Frank stepped into the world of producing with a TV series pilot called "Speed Freaks: The Science of Speed" and in 2015 produced his first feature length documentary, "Blood and Steel: Cedar Crest Country Club".
Introducing Dialogue Match: iZotope's Brand New Tool That is Revolutionizing Dialogue Editing and ADR Workflows
Dialogue Match is a Pro Tools AudioSuite tool intended for re-recording mixers who deliver the final sound mix for films and television programs. For decades, these mixers have had the tedious job of matching dialogue from lavalier, boom mics, and ADR in order to create a seamless and cohesive dialogue performance. This long and work-intensive process takes valuable time away from crafting the sound of a scene and producing a final mix. Using machine learning, Dialogue Match reduces this process to seconds, making it the first tool to automatically learn and match the reverberant character of dialogue recordings.
by Michael Valinsky After initially meeting at Manhattan Edit Workshop's Inside the Cutting Room event, we followed up to talk further with Emmy-Award winning editor Arielle Amsalem at Third Rail Coffee in Greenwich Village, NYC. One of the most promising up-and-coming documentary editors today, we had the opportunity to ask her a whole range of questions. Here's our fully-caffeinated interview.
If I had to pick one constant among independent film festival submissions it would be unintelligible dialogue. The cause of desperation of every director; the bane of every mixing engineer’s existence; the source of suffering of your friends and family, forced to go through a whole movie they don’t understand because the actors’ words simply can’t be heard. This and many other nuances of your film’s sound are the victims of a few often overlooked details, which in turn result in the delivery of a subpar soundtrack, driving your audio post team insane and wasting production money. Good news is these mistakes can very easily be prevented. You can start by tackling a few key issues often associated with your role.
Adding music to a film can add power and interest to the production. And when the music is an integral part of the story, the power is multiplied. Filmmakers, creative editing company editors and sound engineers need to work together to realize the full advantages of using music in their film.
Sony Creative Software, a leading provider of professional video and audio editing applications, today announced the availability of the latest upgrades to their award-winning line of consumer products which include Movie Studio 13 Platinum and ACID Music Studio 10. These applications offer aspiring independent filmmakers and music producers the tools to produce compelling, professional-quality projects for distribution from the desktop to the cloud.
The PROspective is currently seeking individuals interested in writing equipment reviews, industry tips & tricks, interviews and featured articles. We are particularly interested in topics like production equipment, digital media, film/motion picture, editing software and video production. Also, do you have a niche specialty or expertise in a certain type of client? Pitch us your exclusive column for consideration! If you are interested in writing for The PROspective, please contact Jessica at firstname.lastname@example.org
You've been a slave to ‘setiquette’ (set etiquette), mastered new skills, upgraded to the best video editing software and purchased a high-quality camera-- it is officially time to ‘level up’ to your next big break in the world of content creation. Where and how do you find the best film project or post production job?