16 blog posts found matching keyword search for: Music Composition in New York
GDC Session with speaker Rod Abernathy, Rednote Audio.Rod Abernethy is known throughout Europe, Asia and the Americas for his cutting-edge approach to music composition for video games, television and film. Credits include: Sound Dead Space, Rage, Wheelman, Alpha protocol, Hobbit, King Arthur and Transformers, Madagascar 3, and more! Rod’s music has also been featured in programming for major networks including ABC, CBS, Discovery Channel, ESPN, Fox, G4, HBO, Nickelodeon, TLC and PBS.
Supervising Sound Editor Mandell Winter has supervised sound editing and mixing teams for Apple's Defending Jacob, HBO's Outsider, & Quibi's #FreeRayshawn. Mandell received two Emmy nominations last year for his work on HBO's Deadwood: The Movie and Season 3 of HBO's True Detective. Additionally, in 2019 he received two MPSE Golden Reel Award nominations for True Detective, a third for Deadwood, and a fourth for What's My Name: Muhammad Ali. He talked exclusively to ProductionHUB about how COVID has altered his day-to-day, breaking into the industry (accidentally!) and what film made him tear up.
Audio Network has recently introduced their World Documentary Series, a collection of beautifully recorded cinematic scores that evoke scenes from around the globe. Ali Johnson, Audio Network Global Head of Music, gives us an exclusive look into the idea behind the series.
How do you balance a burgeoning love story with laugh-until-your-stomach-aches comedy through music? We spoke to film composer Miles Hankins about his work on Long Shot, a new romantic comedy starring Charlize Theron and Seth Rogen. Hankins gives us an inside-look at composing a score that pulls your heartstrings while making you laugh out loud.
Reviewed by Chris SanchezAKG recently sent me a pair of their new 451 ‘65th anniversary edition’ models as well as a D12VR to evaluate in studio. While not strict re-issues per se, these beautifully made microphones combine vintage and modern features to continue the legacy of these two great product lines. AKG introduced the original D12 in the mid 1950s, and it has been a favorite for kick drum mic’ing for decades. The 451 has a similar lengthy history, with that series debuting in 1969. AKG 451s have for decades been staples in music recording studios as well as on film sets and foley stages.
Currently, Lidia is one of the few creatives pioneering an industry-wide shift to vertical content, as we’ve seen with Spotify Video and the launch of Instagram TV (IGTV). With The Weeknd’s Call Out My Name Spotify music video, Lidia produced one of the first vertical anamorphic videos, which allowed her to increase the field of view while retaining all the textural qualities of the vintage anamorphic glass — the flare, the breathing and the oval bokeh.
Adam Beck is absolutely devoted to cinematography. This year alone, he’s shot three indie features: Camp Twilight, Killer Rose and Booze, Broads and Blackjack (which is in the final stages of post-production). He also shoots commercials, music videos and documentaries. He spoke with ProductionHUB exclusively about his work on Booze, Broads and Blackjack, the equipment he trusts and some of the challenges he overcame working on the film.
Richard Crudo, ASC was born and raised in Brooklyn, New York. He began his film career as an assistant cameraman. As a director of photography, Crudo has shot a wide range of feature, television, and commercial productions. Among his feature credits are Federal Hill, American Buffalo, American Pie, Music From Another Room, Outside Providence, Down To Earth, Out Cold, Grind, Brooklyn Rules and some 26 episodes of the Emmy-award winning Justified. He has also directed several independent features.
The practice of outsourcing video production has become very popular. In the past the question of “which company to outsource the data entry processes to” troubled many companies, but as of a few years ago, the same problem can be applied to videos as well. Video production encompasses numerous videography and video editing actions, ranging from capturing moving images and setting up the lighting to reducing the parts and creating combinations of videos.
A motion graphics workflow differs in a lot of ways than your traditional live-action production. Here are the differences and variations when producing a motion graphics or animation piece.