3 blog posts found matching keyword search for: RC Aerial
Drone vs. Helicopter for Aerials: Top 5 Scenarios for Each
So you're a Director or Producer who trolls on Vimeo for creative ideas and inspiration. After weeding through a gazillion time-lapse and steadicam videos, you've hit on a school of ridiculously beautiful aerial shots. You keep telling your creative inner self, “We’re gonna find a place for this scene in a project!” Then the perfect project rolls around, and you put the shot into the storyboards and base another 3-4 shots on this visual hook because the ideas is so awesome. And you're super stoked. Then the Buzzkill happens...
Published on Thursday, September 18, 2014 9:40 AM
Getting Started with Drone Production: Save Time and Money
by Stephan Guarch & Edgar Cohen Aerial photography and videography are nothing new to the production world. But how we achieve those shots certainly has in the last 12 months. Drones have exploded in popularity as a way to get aerial and low altitude footage for videos, for everything from full feature films such as “The Wolf of Wall Street” to the everyday film hobbyist who flies leisurely at the local park. But for anyone who has actually tried to capture this footage there’s quite the learning curve involved when it comes to choosing the right drone and what seems like an infinite amount of accessories and upgrades. This week the team at Experience Above posts a nice overview of the top 3 tips for getting started with drone video production, a handy starters guide.
Published on Monday, August 11, 2014 3:22 PM
Using the new MōVI Steadicam in TV Commercial Application
by featured blog contributor, Jeremy PinckertYou’ve collaborated on the storyboards, you've charmed on the conference call, you've nailed the pitch, and now you've won the job! It's Monday morning, and for once you're actually looking forward to making the harrowing commute...Starbucks is pulsing through your veins and you're ready - no you're stoked - to embark on that big-brand TV shoot. And then your phone interrupts your pump-up music on the BPM channel. Your apologetic producer is on the line and gently breaks the news: you don't have the money in the budget for that gorgeous steadicam shot you built into the boards. The steadicam shot that left you so inspired to direct this project in the first place. The buttery smooth eye-pleasing delicacy you were going to build your reel around. Options quickly flood into your brain: You could cash in the 401k, or even worse, call in favors from those famously curmudgeonly, hard-working steadicam operators just to get a shot like the famously long, intricate, and beautiful steadicam shot in Martin Scorcese's "Hugo" below:
Published on Tuesday, December 10, 2013 11:00 AM
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