135 blog posts found matching keyword search for: Recording in Georgetown
If I had to pick one constant among independent film festival submissions it would be unintelligible dialogue. The cause of desperation of every director; the bane of every mixing engineer’s existence; the source of suffering of your friends and family, forced to go through a whole movie they don’t understand because the actors’ words simply can’t be heard. This and many other nuances of your film’s sound are the victims of a few often overlooked details, which in turn result in the delivery of a subpar soundtrack, driving your audio post team insane and wasting production money. Good news is these mistakes can very easily be prevented. You can start by tackling a few key issues often associated with your role.
In its simplest sense, a freelancer or freelance videographer is usually an individual who is hired to perform a specific task such as recording with a camera. A video production company provides their own equipment, planning, supervision, customer interface, the actual recording, editing and anything else the client might need to successfully complete their project.
Filming is a two way street: you’re not only capturing an image, but you’re also recording dialogue, background noise or some other type of audio that helps to bring your visuals to life.
Recording excellent field audio is not a mystery. It's achieved through proper planning and execution of the sound parameters you decided on before the actual production starts. That said, getting the right audio gear for the field is an important part of the production process.
You’re a filmmaker, a band, a special effects producer, a virtual reality game designer, a vlogger or rapper and you’re looking to rent a sound stage, a green screen or a recording studio for your project. Many creative and artistic people know what they want their finished product to look like and are thinking about going to a media studio to make it perfect.
Gary Adcock and Tom Fletcher released an excellent camera comparison chart that has a great deal of useful information about a number of cameras that we see and use every day. This chart is a useful tool for experienced pros and newcomers as a way to navigate the many nuances of shooting and recording formats available to work with.
When the critically acclaimed action film Baby Driver hit the big screen, audiences got to experience a number of heart pounding, in-your-face motor vehicle sound effects courtesy of Sound Designer/Composer Watson Wu. In order to capture the pristine vehicle sounds, Wu, long regarded as one of the industry leaders in field recording, relied on his trusted equipment from DPA Microphones. He answered a few questions about working on the film and how he got the sounds just right.
With a career that spans back to his days in recording more than a decade ago, Production Sound Mixer José Frías has long-held a love for the audio industry. Although he got his start in music, he’s held many different audio production roles, which has led to his working on projects for high-profile clients, such as Motorola, IBM, ESPN, Time Magazine and more.
Reviewed by Chris SanchezAKG recently sent me a pair of their new 451 ‘65th anniversary edition’ models as well as a D12VR to evaluate in studio. While not strict re-issues per se, these beautifully made microphones combine vintage and modern features to continue the legacy of these two great product lines. AKG introduced the original D12 in the mid 1950s, and it has been a favorite for kick drum mic’ing for decades. The 451 has a similar lengthy history, with that series debuting in 1969. AKG 451s have for decades been staples in music recording studios as well as on film sets and foley stages.
by Carl Mrozek This is the 19th consecutive year I’ve attended NAB in quest of the ideal digital video camera, and ideally one that is somewhat affordable. Of course one man’s ideal is another’s disappointment, and likewise with affordable. However, at the largest production media trade show in the world, NAB 2015, there were more than a few cameras that nearly fit my criteria. This included wide dynamic range, a wide range of frame rates, more than one robust recording codec, smart design and of course great imaging.