56 blog posts found matching keyword search for: Red Digital
NATPE: Red Touch Media's Insight on Entertainment & Tech
While keeping warm in Miami at NATPE this week, we thought we'd share a quick interview with Wayne Scholes, CEO and Chairman of Red Touch Media. He is a panelist on the Platforms Accelerated track at NATPE, titled "Let’s Make a Deal: Trading Premium Content for User Data," a topic he can delve into deeply, in addition to talking about his insight/outlook on the digital content industry.Get insight on the entertainment and technology industries, recent content distribution deals & more.
Published on Monday, January 27, 2014 8:30 AM
Shooting a Live Red Carpet at the iHeartRadio Music Awards: Here's How it's Done
As any good DP already knows, it’s important to be able to step outside your comfort zone. If you trust your instincts and have flexible gear that you can rely on to support new workflows, these challenges can quickly become opportunities to expand your horizons. It’s just what DP Vance Burberry did at the 2017 iHeartRadio Music Awards, which took place on March 5th at The Forum in Inglewood, California. Vance and his team were tasked with shooting live pre-show and red carpet footage for promos, which aired in near real-time.
Published on Friday, April 21, 2017 11:00 AM
RED Dragon Visual Lens Comparison for Directors
by featured blog contributor, Jeremy PinckertSometimes when I’m in the thick of pre-production on a new television advertising spot, I’m tempted to put all of my emphasis on the obvious questions: Who will be the cinematographer? What camera system will we use? What casting decisions need to be made? Who the hell can convert my scribbles into a real storyboard?There’s a step often left out of the above question process, but one that, as a Director or Producer, does have a significant effect on your picture. In fact, this step is the first point of contact between the enigma of a performance and the camera.
Published on Monday, June 16, 2014 8:08 AM
Experience the Latest Digital Trends at IBC 2015 in Amsterdam
Published on Thursday, September 10, 2015 9:13 AM
RED Rolls On with Hydrogen One (Part 2)
One of the best things about being the Technology Editor here at ProductionHUB is having the ability to connect with a lot of really smart people (the best and brightest) from throughout our industry. Shortly after the Hydrogen story broke, I got together with a few RED owners via online and asked them to give me their take on the Hydrogen and the perceived impact it might have on our business.
Published on Tuesday, July 18, 2017 7:52 PM
Producing Commercials for Some of the Hottest Startups with Red Giant Tools
Red Giant chats with Sandwich Video’s Adam Lisagor (founder, president), Zach Hobesh (head of post) and Jeff Hodges (post coordinator) - here’s what they have to say about producing commercials for some of hottest startups on the scene.
Published on Wednesday, October 11, 2017 10:00 AM
Full Frame Cameras: How Will They Affect Our Industry?
The release of full frame cameras like Arri’s LF, Red’s Monstro, Canon’s C700, and Sony’s VENICE has made it clear that the future of cinema is headed toward larger sensor sizes. Of course, we have been shooting full frame video ever since the Canon 5D Mark II. But it’s only recently that high-end cinema camera manufacturers have brought larger sensor cameras to the market.
Published on Thursday, November 15, 2018 9:45 AM
Why Assimilate's SCRATCH v8 is a Must-Have for Production Pros
SCRATCH v8 is everything a digital cinema or broadcast post artist needs for 2D and 3D productions: One comprehensive and robust end-to-end imaging tool set -- from data management to conform, color grading, versioning, compositing, playback, and finishing -- for nearly all digital workflows, including RED, ARRI, Sony F65 and F55, Canon 5D, Phantom, Go Pro and many more.
Published on Wednesday, May 14, 2014 1:17 PM
New Lens Intro’s from Schneider Optics
Schneider adds 18mm, 25mm and 100mm lenses to its popular Schneider-Kreuznach Xenon FF-Prime family that already includes the 35mm, 50mm and 75mm focal lengths. They are purpose built for digital cinematography with cameras including RED Dragon, Canon C100/C300/C500, Arri Alexa, Sony F5/F55 and HDSLR cameras, and cover the full 45mm image circle usable on Canon 5D Mark III and Nikon D800 cameras. These compact lenses are designed for 4K and beyond resolution (4096 x 2304 pixels).
Published on Wednesday, March 26, 2014 11:19 AM
Kinefinity Shows New 6K KineMAX & 4K KineMINI RAW Cameras
by Corey Steib Kinefinity™ based in China is a new brand of professional digital cinema products including KineRAW cameras, KineMAG SSD, KineKIT accessories, KineStation transcoding software, KineGrip sidegrip, and more. The KineRAW cameras and related products are designed, developed, assembled in China by a team with passion, concentration, vision and technical background from high performance astronomy camera design.Now for the longest time, RED has been the big company to make 4K and higher cameras but now it seems that Kinefinity has announced their very own 6K cameras called KineMax along with the KineMini 4K Camera which are sure to make a lot of noise at this years NAB.
Published on Friday, March 14, 2014 1:38 PM
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