44 blog posts found matching keyword search for: Sound Editors in Virginia Beach
As a filmmaker and storyteller, I strive to bring my ideas to the screen in a way that’s impactful and relatable to the viewer. Last year, I created a film with Cinecom exploring what it’s like to see the world through a character’s point of view. I enjoyed using this perspective so much that I decided I wanted to do it again. So, I started a side project and partnered with Adobe to create a sci-fi short film called ROUTINE, which takes audiences on a sensory experience of a daily routine through the eyes of the main character. I was able to shoot and edit the film in a couple of weeks and I played around with features and effects in the Creative Cloud apps to enhance the project. Using integrated workflows with Premiere Pro, Audition and After Effects helped me design how I wanted the film to look and sound. A few tools that were especially useful during the editing process were the Freeform Project Panel and Essential Sound Panel in Premiere Pro, Audition, as well as the 3D Camera Tracker in After Effects.
On the heels of Sundance and SXSW, Adobe Premiere Pro made a splash at Tribeca and supporting filmmakers. ProductionHUB exclusively talked to the editors behind American Factory, This is Not Berlin, CRSHD and STORM – a few spotlight examples amongst the dozens of films that used Premiere Pro at the festival, exemplifying Adobe’s commitment to the filmmaking community and ongoing mission to build innovative post-production tools that help filmmakers tell one of a kind stories.
by Jessica NinModerator:Randy Thornton, CEO & President of Warner/Chappell Production Music Speakers: * John Houlihan: Music Supervisor, “Training Day,” “Austin Powers,” “Vegas”; VP, Guild of Music Supervisors * Jeff Lusk Music Supervisor and Sound Designer, Warner/Chappell Production Music * Alexandra Patsavas Chop Shop, Music Supervisor, “Grey’s Anatomy,” “Mad Men,” “The Carrie Diaries” * Edwina Travis-Chin Music Director, APM Music Session Description:So many successful films and television shows feature memorable music that strikes the perfect balance between what is seen on the screen and what is felt by the viewer. From haunting ballads to hard-driving rock and roll, much of this is accomplished through a mix of both production music and original scores. Leading music supervisors know how to work with both. In this panel of industry executives and working music supervisors, learn how the pros determine the best approach to achieving the desired mood for a film. Produced in partnership with the Production Music Association (PMA) and the Guild of Music Supervisors.
Editor Phil Bowman has built a wealth of career experience in fiction and documentary that cover military missions, true-crime, and ghost stories that cross into sci-fi. On Avid Media Composer, he has cut the feature film Pickups starring Aidan Gillen (Game of Thrones) about the life of a jobbing actor, which premiered at the London Film Festival 2017, the Discovery show Gold Rush, which follows crews as they hunt for gold in the Yukon, and Obsession, a series telling the harrowing stories of victims of stalking.
Blackmagic Design DaVinci Resolve 15 Studio is a very interesting post-production offering. Resolve 15 Studio has so many options and directions you could lose yourself and endlessly work on improving just that one clip if you don’t keep track of your sessions. Let's take a look at the many facets of Blackmagic Design Resolve 15 Studio.
Citizen Kane has long been regarded as a movie masterpiece for its cinematography, storytelling, and ahead-of-its-time visual effects. Who better to pay homage to the 1940’s film than director David Fincher, whose films are often lauded for these same characteristics? Fincher’s most recent project, the Netflix feature film Mank, brings to life a screenplay written by his late father, journalist Jack Fincher.
In my previous ProductionHUB column, Remote Production: The World is Your Oyster, I discussed the emerging trend of remote production. Increasingly, we’re seeing post-production companies create infrastructure that spans the globe rather than just the length of a building.
They say necessity is the mother of invention. 2020 is a case in point. Social distancing and widespread lockdowns during the coronavirus pandemic have fast-tracked a global digital transformation. Billions of people have found new ways to work remotely and connect with each other. In the audiovisual industry, productions have found new ways to continue, facilitated by live streaming, virtual production tools and video conferencing technology, not to mention super-fast connectivity thanks to 4G, 5G and fibre optics. Post-production, in some cases, has actually thrived.
So far this year, Blackmagic has come out with some pretty innovative products quickly making buzz in our industry. Get an inside look at their stunning studio camera, the URSA & Resolve 11, from Blackmagic's Prez, Dan May.
The Drive "pulls back the curtain" and provides viewers with a rare look into what a nationally-ranked college football team goes through on their quest for a Pac-12 Championship. Fans get to go "under the helmet" to learn the players personalities and personal stories. Catch up with Senior Coordinating Producer, Michael Tolajian, as he shows viewers much more than they could ever see by just watching the game broadcasts.