26 blog posts found matching keyword search for: Studio Rental in Austin
Lighting for a studio production means so many things depending on the scope of your production. The first question you should ask yourself is what is the scope of your production? Is it going to be live or recorded? Will you be asked to light a talk show with an audience, or maybe something even more elaborate? Maybe you will be asked to light a commercial or a dramatic production. Great lighting can add depth and will set the emotional tone for every production. The question then is what do you want your lighting to convey emotionally to the audience? Here is a good example. Think how theatre directors use pools of light to draw the audiences’ attention to those spots on the stage. Your eyes have to go there right? But hold on to that thought and we will get back to it and a great use of dramatic lighting example later.
Dan Patrick is synonymous with sports broadcasting excellence. I've been a fan of Dan Patrick for years, so getting to tour his new studio was a real treat. Eric Jones, Associate Director of Creative Operations for AT&T, gave us an inside look at the studio and how it came to be.
You’re a filmmaker, a band, a special effects producer, a virtual reality game designer, a vlogger or rapper and you’re looking to rent a sound stage, a green screen or a recording studio for your project. Many creative and artistic people know what they want their finished product to look like and are thinking about going to a media studio to make it perfect.
In what can be a fickle industry, establishing yourself as a leader in the world of photo production is no small feat. Having paved the way for the photo industry in Brooklyn over ten years ago, Fast Ashleys Studios has grown to become the premiere Photo/Video Studio in the borough. As the studio scene in Williamsburg has boomed, Fast Ashleys has maintained its place as the original mecca for cutting edge photographers, worth making the trek from Manhattan. We asked Studio Director, Michael Abrego, the keys to sustaining a successful studio.
Here's something you're going to learn in film if you haven't already: NOTHING goes as planned. If things go 80% according to plan, you may just be working in a big-budget Hollywood studio! Or not; things don't go as planned for the "big dogs" either — consider Apocalypse Now. I work with many productions in South Florida with Moving Picture Rental — and if anywhere is unpredictable, it's Florida. Here are some things I've learned along the way.
Don’t wait until post-production to solve problems that should be addressed in pre-production. Hasty planning can often result in expensive reshoots. Making sure you have the right gear on-set can save you precious time and money. Of course, you’re going to put a lot of thought into the technical aspects of your production, like which camera, lighting kits, and sound equipment you’ll need. But when you’re planning your movie equipment rental, it’s essential to consider the accessories that will complement such gear. According to many crew and producers whom we’ve worked with over the years, renting the following items often resulted in the smoothest productions.
Cineo Lighting has become one of the most well-known leaders in the production of lighting systems today, offering the highest-quality lighting solutions for set, studio, field, and location applications. CTO, Chuck Edwards, answered a few questions about the brand, new technology and more. Check out the full interview below.
As I mentioned in our first Pivot Point, smart production companies are moving incredibly fast to shift from the “traditional” production model. This shift has forced companies to evaluate and change plans on the fly. One such company is Events United located in Manchester, New Hampshire. We caught up with the crew while they were catching their breath and getting ready for their next production.
Thursday, March 19th - It was a rainy evening in downtown Los Angeles and we were setting up for Day 2 of Production on my new TV show Limited Edition. I had spent the past 15 months getting to this point; writing, securing funding, casting, location scouting, rehearsing, shot listing. I had successfully grown my commercial company Vitascope Arts into a six-figure business over the course of only a few years but this was going to be my first big step into creating fully produced original content, completely in-house. I had a lot riding on the show and I was more prepared for this project than anything I had ever done in my life. On this Thursday, most of the state had already been ordered to begin social distancing, to stay home, and all large gatherings had been banned. We were on set working, payroll had been financed, equipment had been paid for, insurance covered, locations booked, yet we all knew our production could be shut down at any moment. And then, just like that, one of my crew members scrolled their phone and announced “The Mayor just shut down all of Los Angeles. We have until midnight.” Full lockdown. It was a surreal feeling. Not only would the production have to shut down indefinitely but we weren’t even supposed to be outside of our homes. Everything was immediately put into perspective and the world would be changed forever. Let’s go back a few months.
"Due to the bigger image circle the Compact Zoom CZ.2 15-30 has no distortion or vignetting in the corners on Super 35 sensors (Sweet Spot Effect). Due to the full frame coverage, all members of the Compact Zoom lens family cover the RED Dragon senor at 6K. There is no other competitor cine-style lens that can do the same at this point." Learn what makes this lens one of a kind, along with its show reel & more.