16 blog posts found matching keyword search for: Tripods in Patterson
In a nutshell, SlingStudio is a complete professional multi-camera solution in a backpack. All of the tools provided for our review fit neatly into one regular size backpack. Of course, if you are using full-size cameras and tripods that might make for a pretty big backpack.
The camera crew behind the hit FX TV series The Americans chose Vitec Videocom brands to support the production through its second season. The show’s cinematographer Richard Rutkowski, and camera assistants Brendan K. Russell and Rory Hanrahan, rely on Anton/Bauer batteries and chargers, Litepanels LED lights, and OConnor fluid heads and tripods for their reliability and durability during stage and location shoots, which helps keep the show on pace and on budget.
If you have been out shooting for a while, then you know just how important a good tripod is. Even if you are the best handheld shooter, sooner or later you are going to need a reliable tripod. The trick is to find one that is easy to set up, doesn't weigh a ton, is affordable and most of all, durable. The Sachtler Flowtech 75 MS Carbon Fiber hits all of these marks and more.
My first professional video work, a very long time ago, was filming motorsports for television. Anyone that has ever tried to film motor racing or rallying will know that it’s challenging. Trying to film and track a car approaching you at 100mph is tough. As a result, something I learnt very early on in my career was the importance of a decent tripod.
Creating shows like The Office, It's Always Sunny in Philadelphia and Wilfred doesn't come easy, but getting first hand knowledge from director, Randall Einhorn helps us see what it'd be like to work on the set of shows we'd only dream of holding a camera on. Learn how this prime-time Emmy nominated pro landed the job, along with his must-have piece of equipment and sound advice most any production pro should take to heart.
After four months of using it in the field, we have compiled some thoughts on the DJI Ronin.
When my star ProductionHUB Content Manager Bri called me a few weeks ago and mentioned something about doing that “tripod product review” I have to admit I was pretty skeptical. Ok, very skeptical. But I said ok. It was just a tripod, something we take for granted because we one use all the time and honestly don’t give it too much thought unless somebody leaves it behind, or it binds up after 10 years of relentless use with no maintenance. Yes, you know who you are. I mean what could I write about a tripod? Really. Boy, was I wrong. Turns out there would be a lot to be said after all. I just didn't know it yet.
As a producer/director/shooter I’m always looking for the best way to maximize the investment of time and money. When it comes to purchasing and getting new gear into the production flow you need to do your homework. Listed below is but a few of the thousands of camera support products that are out there. But hey, that's why we’re here! The trick is to choose the right gear to stay within your budget and still come out with outstanding content. Easier said than done. But here is the good news. Getting new gear doesn't have to break the bank, and if you play your cards right, new gear can even pay for itself over time. So with that said lets’ check out some of the latest camera support gear and rigs that will take your production values to the next level.
First off, let me preface this review by saying nothing brings me more joy than getting a camera to try out and review. Some of the cameras I get are good and others are (in my mind) fantastic, great and all that. The Sony FS7II falls squarely in the second category. The second and maybe the more important set of questions are simple. I always ask myself, what would make me want to buy this camera? Secondly, what would compel (you) want to go out and buy this camera? Lastly, when it is all said and done, does it fit into what I am doing production-wise?
With just a few weeks to go until NAB Show Las Vegas (April 9th-2th), it’s the only show of its kind where will get to see and hear about the latest camera and lens, lighting, edit systems, drones, all the product updates and pretty much every other piece of gear you would ever want to see. Whether it's your first NAB or maybe your 25th, the thing to remember is that planning your show and pacing your show makes for a much better experience. Here is just a preview of some of the lenses of all kinds you'll get to see up close and personal at this year's show.