6 blog posts found matching keyword search for: Voice Recording Talent in Idaho
Nehemiah Records is an international indie record label committed to giving a voice to the voiceless. Nehemiah Records was established by Steph Leigh Limage while she was filming a feature documentary in Haiti after the 2010 earthquake. During her adventures she wound up in the projects of Port Au Prince producing beats with artists who were living in tent cities after the earthquake. What she discovered was a pool of extremely talented artists who had no way to support them selves, through this need Nehemiah Records was born.Learn all about the movement and how you can help.
Today’s reality TV productions are ambitious in their size and tight broadcast schedules, requiring a multitude of impressive engineering feats. When not tracking every move of a housewife, psychic medium or celebrity, other shows such as Hell’s Kitchen, America’s Got Talent or The Voice closely follow the progress of contestants and are broken up into segments: the documentary portions that tell the back stories of contestants, the behind-the- scenes shots that show the contestants preparing for the competition, and then the (sometimes live, sometimes not) actual competition portion itself.
As a full-time professional voiceover artist, I wasn’t sure how much my work would change as a result of the COVID-19 pandemic. After all, I already had my website and portfolio built at voicebymaria.com, I had a ProductionHub profile, I had already built a broadcast-quality studio in my home office (it was quite a challenge for my husband to get my StudioBricks OnePlus booth into my office after the delivery people dropped it off in our driveway!). And I was familiar with Zoom years before everybody started using Parks & Rec sets as silly backgrounds to amuse their co-workers. I’ve been recording, editing, conference-calling and participating in live-directed sessions from my professional home studio for eight years now, voicing commercials for national brands such as Pillsbury, Panera, Hoover and Dannon. But things HAVE changed - in ways I wasn’t expecting.
Sabya Clarke, VR director, writer and producer shares her experience making the VR cinematic experience, To Patch A Broken Star (2018).
When I was first approached about doing a review for the MXL BCD-1 I was pretty excited. Most of the time I focus on reviewing our creative visual tools of the trade. There is never a shortage of equipment like cameras, lighting, and various other gear.
With translation, your films and videos, or those of your clients, can reach an international audience using dubbing or subtitles. For some of you out there in the Production Hub world, adding translation services can mean another stream of income. It also means that you can become a one-stop shop.