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Editors, Sound Designers & VFX Artists Share Their Secrets at MEW’s 6/8 EventBy N. HalpernOn June 18th, the Manhattan Edit Workshop presented “Inside the Cutting Room: Sight, Sound and Story,” a series of panels on post-production techniques. The day’s events included panels that ran the gamut from picture editing, to sound design and visual effects. Here are some highlights from the day’s panels.In the afternoon panel “Anatomy of a Scene: Documentary and Narrative Editors Deconstruct their Work” film editors Michael Berenbaum, David Tedeschi, Jeffrey Wolf, and David Zieff screened and discussed sequences from documentary and narrative film projects, charting the processes of their respective developments.

The Sundance Film Festival recently wrapped in Park City, Utah, but ProductionHUB got to talk exclusively to a few of the professionals that worked on nominated films. Wondering how some of these films came to life on-screen? Read more to find out their creative processes, equipment they relied on and more.

We recently conducted a series of interviews to cover some of the production professionals being highlighted and represented at this year's Tribeca Film Festival, which is running from June 8 - 19th. In this interview, we spoke with Editor Bryan Mason about his work on Good Luck to You, Leo Grande.

Every winter in Utah, the Sundance Film Festival becomes the ultimate gathering of original storytellers and audiences. The festival includes dramatic and documentary features and short films; series and episodic content; and New Frontier, showcasing emerging media in the form of multimedia installations, performances, and films. When you attend Sundance, you can expect to attend daily filmmaker conversations, panel discussions, and live music events.

This article describes a comprehensive dailies workflow that can make life simpler for the editor and the sound mixer, while maintaining the highest quality. Why does it matter? While our various video post applications have gotten much better and deal with large files and many takes quite well, workflows are still the glue that brings it all together.

On the heels of Sundance and SXSW, Adobe Premiere Pro made a splash at Tribeca and supporting filmmakers. ProductionHUB exclusively talked to the editors behind American Factory, This is Not Berlin, CRSHD and STORM – a few spotlight examples amongst the dozens of films that used Premiere Pro at the festival, exemplifying Adobe’s commitment to the filmmaking community and ongoing mission to build innovative post-production tools that help filmmakers tell one of a kind stories.

Alex Trudeau Viriato co-produced and edited Man in the Arena: Tom Brady, which has been streaming weekly on ESPN+ since November 16. The series documents iconic moments from the legendary quarterback’s 20-year career in the NFL. Each episode deconstructs Brady’s Super Bowl appearances with firsthand accounts from the icon himself. Alex used Premiere Pro and Productions to chronicle Brady’s milestones, combining testimonial interviews as well as previous NFL and Super Bowl footage.

Sundance Film Festival has been THE premiere place for production professionals - seasoned to fresh-faced - to come showcase their incredible work on life-changing films. The 2020 event proves to be no different, with tons of amazing films from expert professionals. We got the chance to interview a few of the filmmakers attending Sundance.

Acclaimed editor and lead creative editor for Renegade Animation, Michael D’Ambrosio has over 20 years of experience in the animation industry, featuring a long list of notable works including Sesame Street Play to Learn, Tom and Jerry – Cowboy Up!, Tom and Jerry In New York, and Tom and Jerry on HBOMAX.