17 blog posts found matching keyword search for: concert in Utah
When it comes to producing live music, getting the sound to come out flawlessly is one of the most difficult aspects. Both the performers and the sound team share responsibility of this particular aspect, but even if both are consistent, different venues and different PA systems can mean that all conventional wisdom and “what worked before” can go right out the window.
Adding music to a film can add power and interest to the production. And when the music is an integral part of the story, the power is multiplied. Filmmakers, creative editing company editors and sound engineers need to work together to realize the full advantages of using music in their film.
Graham Nolte, a DP (and so much more), shares tips and advice he’s learned from freelancing:
If you’ve been working in production for one year or ten, you know how frustrating (and expensive!) it can be for a shoot to run over the production schedule. It can happen for a million reasons: wardrobe not fitting, makeup taking longer than people thought, batteries dying or gear getting lost. It’s easy to hope for a perfectly run set, but it’s harder to actually pull it off. In order to cultivate a positive environment where everyone is working efficiently and prevent production delays, here are five things we practice on Mighteor sets that we recommend to everyone:
Over the last decade, video content collaboration has undergone massive changes, thanks in large part to shifts in how, when, and where we work. Previously, most video production team members saw each other daily. They enjoyed impromptu project reviews and remained relatively on the same creative page. Though miscommunications still happened, issues could be identified and resolved rather quickly because everyone was in one room.
The production industry is always evolving, from new ways to film to breakthroughs in production technology, with many women spearheading initiatives that impact the industry and set changes in motion. For the second year in a row, we are thrilled to present a few of our favorite "Women to Watch" — women who are constantly inspiring and reaching new ceilings in an industry that was previously male-dominated.
Remember Tower Records? Tom Hanks' son Colin recently directed a great documentary about that fallen empire, nostalgic to us pre-millennial, pre-hipster music collectors who spent sinful amounts of money on actual stuff that you couldn't just download. They were called "imports"! Tower Records used to give out a free rag called "Pulse!" with a regular column titled Desert Island Discs. They weren't the only ones, but in Pulse!, the D.I.D. page was an institution.
You can have the best gear, the most fantastic storyline, and the perfect talent to help you tell it. All of this means nothing, however, if you can’t find the perfect location to capture it. The environment you choose to film in will ultimately set the tone for the story that you tell, immersing viewers in the textures, colors and quality of your work.
If it feels like everyone is jumping on the Virtual Reality / 360-video Hyperloop that’s because the consumer market has hurdled from zero to roughly six million units in just a few months. You can thank the casual and hard-core gamers who comprise a majority of the VR population but, while non-gaming adoption is light, platforms like Facebook and YouTube are taking it seriously.
What if you could produce more live videos without incurring the expense and hassle associated with sending entire production crews and trucks to every venue? And what if you could do that without sacrificing video quality or reliability? The wireless at-home production model allows you to do just that. At-home production is changing the way you can execute live events. Here’s how: