34 blog posts found matching keyword search for: dailies in Asheville
This article describes a comprehensive dailies workflow that can make life simpler for the editor and the sound mixer, while maintaining the highest quality. Why does it matter? While our various video post applications have gotten much better and deal with large files and many takes quite well, workflows are still the glue that brings it all together.
by Katrina DiamondThe panel kicked off with a 5-min. montage of great movies, then dived right into questions. This ‘The State of the Crafts’ session at NAB was a panel of the following speakers:* Richard Crudo, ASC - Vice President * Stephen Lighthill, ASC President, “The Spirit of ‘76”, “Earth 2”, “Nash Bridges” * Dean Cundey, ASC * David Mullen, ASC, “Northfork”, “Smash”, “Big Sur”
Visual Data Media Services provides post-production services, film scanning and transcoding for a wide range of international customers, preparing content for distribution across the world’s premier broadcast channels and digital platforms. For more than two decades, the company has successfully provided everything from ingest and scanning to editing, captioning and localization, growing to become a premier resource for the entire mastering and delivery process. But last year, with a tremendous increase in 4K and ultra high definition (UHD) projects, Visual Data’s systems were struggling to keep up.
ProductionHUB speaks with Local Hero CEO Steve Bannerman and President & Supervising Colorist Leandro Marini about what it's like working at a post house and how they are adapting to this ever-changing industry.
Ad Astra tells the thrilling story of Roy McBride (Brad Pitt), a man on a mission across an unforgiving solar system to uncover the truth about his missing father and his doomed expedition that now, 30 years later, threatens the universe. We spoke with Colorist Greg Fisher about working with cinematographer Hoyte Van Hoytema, ASC and using Blackmagic Design's DaVinci Resolve to achieve the film's unique look.
Citizen Kane has long been regarded as a movie masterpiece for its cinematography, storytelling, and ahead-of-its-time visual effects. Who better to pay homage to the 1940’s film than director David Fincher, whose films are often lauded for these same characteristics? Fincher’s most recent project, the Netflix feature film Mank, brings to life a screenplay written by his late father, journalist Jack Fincher.
In my previous ProductionHUB column, Remote Production: The World is Your Oyster, I discussed the emerging trend of remote production. Increasingly, we’re seeing post-production companies create infrastructure that spans the globe rather than just the length of a building.
Parke Gregg, co-founder and chief colorist at Stuck On On, met Richard Linklater while doing the challenging post-production for the "Slacker" tribute that was sponsored by the Austin Film Society, of which Linklater is the founder. The two later connected when Parke did the full post and DI for "Up to Speed" episodes that ran on Hulu, followed by Linklater’s highly acclaimed feature film, "Before Midnight." Most recently Parke did the full post-production and DI for Linklater’s latest film, "Boyhood."
Matt Leonetti started his career as a camera operator & quickly became a full-fledged cinematographer shooting iconic films, including Poltergeist, Fast Times at Ridgemont High, Weird Science, Jagged Edge, Star Trek: First Contact, Dawn of the Dead, The Butterfly Effect, and Rush Hour 2. Forty years after his first role as director of photography on Bat People (1974), Leonetti continues to shoot, including the upcoming Dumb and Dumber To. Learn how Leonetti paved the way to his success, with tips, advice and much more.
Bruce Logan, ASC has worked on some of the most iconic movies in existence, from 2001: A Space Odyssey to Star Wars. His career has taken all over a film set, which prepared him for his latest project, writing and directing the new indie drama, Lost Fare. In this interview, he takes us behind-the-scenes of working with one of the world's greatest directors and directing his own feature.