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This month, Quibi launched its much-anticipated platform for video content. With advanced tools like Auto Reframe, position-aware motion graphics, flexible workflows for previewing and the ability to create export presets, Premiere Pro offers an ideal production environment for delivering crafted video for Quibi. We have created a Premiere Pro workflow guide for editors and production companies who are interested in creating or adapting video for the new platform.

I'm Luke. Tech fan, engineer, history buff, developer, and closet Sim Racer. I work for Other World Computing as a Product Manager for our networked line of solutions. More specifically, the OWC Jupiter system.

Before I answer that question, let me tell you a bit about myself. I've worked in the production industry my whole career, mostly on the business side and entirely on the live action side. I started Bee Video Production almost 4 years ago now which seems like a relatively short period of time, but it's actually felt like a lifetime. In the past 4 years I have made over two hundred videos. When Covid hit in March and production ground to a halt, I knew I needed to pivot. So we dusted off the few examples we had of animated videos and started to build a business model around that. Fast forward to today, and we’ve produced animated videos for a wide range of clients, including TD Bank, Accenture and many more. We love the process and I don't think we’ll ever look back.

A motion graphics workflow differs in a lot of ways than your traditional live-action production. Here are the differences and variations when producing a motion graphics or animation piece.

This article describes a comprehensive dailies workflow that can make life simpler for the editor and the sound mixer, while maintaining the highest quality. Why does it matter? While our various video post applications have gotten much better and deal with large files and many takes quite well, workflows are still the glue that brings it all together.

Live video production via IP, and specifically over the Internet, is transforming the content consumed by the public, offering producers an array of new workflow options that were unimaginable even a few years ago. There has been a recent influx of video conferencing tools like Zoom, WebEx and others, being used on a daily basis for traditional broadcasts by major TV networks. The ability to "bring in" remote presenters, guest speakers and international contributors are rapidly transforming not only the traditional broadcast market but also the educational, religious, and government production workflows. The presence of live feeds became an integral part of everyday content regardless of distribution, OTA, OTT, or via social media on the web.

Remote production in Broadcast has been the driving force behind cost-saving and workflow efficiencies across the industry for many years now. The term itself has had a number of different meanings. Historically ‘remote production’ in the sports media industry meant the majority of the show was produced onsite at the venue and pretty much everything that was required for the broadcast such as graphics, replays etc. would be handled from the event location (or more usually the car park next door!). Over time this has changed and more of those functions have been centralised. The advantages are obvious - you have a team of specialists who focus on their core expertise such as producing graphics and this team can work on multiple events in a day reducing costs, environmental impacts, wasted time and in most cases improving the quality of the output, it’s a win/win for all concerned.

“The Adam Carolla Show,” the five day a week comedy and talk show podcast hosted by comedian, radio personality and podcaster Adam Carolla, set the record for the most downloaded podcast in the world and is one of a number of popular podcasts created by the Carolla Digital podcast network. The network’s other shows, including the award winning “The Dr. Drew Podcast,” “Reasonable Doubt” and “The Watercooler,” have been downloaded and watched billions of times.

In our latest interview, we spoke with the filmmakers behind Sony Pictures’ Missing. Told entirely through computer screens and smartphones, the mystery thriller was made using advanced technology that’s just as exciting as the action in the film itself.