91 blog posts found matching keyword search for: 3D Production in Brandon
Five years ago, Patrick Jean dreamed up the end of the world in the most unique way: with Donkey Kong and Pac-Man. When Patrick Jean wrote and directed his short film “Pixels”, he always hoped his two and half minute video work would end up on the silver screen, but he never thought it would actually happen.To his surprise, it did-- and now you can get an inside look on the software used to create the film, along with his inspiration and tips.
In our age of software animation, people tend to get excited about tools, but forget to pay attention to the key elements and their work ends up not looking professional. The main purpose of sharing my knowledge today is to help change the mindset of how people animate.
Before I answer that question, let me tell you a bit about myself. I've worked in the production industry my whole career, mostly on the business side and entirely on the live action side. I started Bee Video Production almost 4 years ago now which seems like a relatively short period of time, but it's actually felt like a lifetime. In the past 4 years I have made over two hundred videos. When Covid hit in March and production ground to a halt, I knew I needed to pivot. So we dusted off the few examples we had of animated videos and started to build a business model around that. Fast forward to today, and we’ve produced animated videos for a wide range of clients, including TD Bank, Accenture and many more. We love the process and I don't think we’ll ever look back.
Over the years I have had the opportunity to work with some of the best and brightest minds in sports production. Everybody involved in the production side of things has brought their own unique style and expertise to the table - outstanding producers and directors, technical directors, audio engineers with mad skills, rock solid camera ops, and dare I say hundreds of other technicians, grips, and production assistants, and just a lot of other people that make great sports productions happen. But all of the people I have just mentioned whether they were part of a big crew, or of just a crew of two have one thing in common.
SCRATCH v8 is everything a digital cinema or broadcast post artist needs for 2D and 3D productions: One comprehensive and robust end-to-end imaging tool set -- from data management to conform, color grading, versioning, compositing, playback, and finishing -- for nearly all digital workflows, including RED, ARRI, Sony F65 and F55, Canon 5D, Phantom, Go Pro and many more.
From digital cameras to 8K workflows, video and sports production have been in a seemingly constant state of evolution. Veteran Steadicam operator and production specialist Alan Lennox has worked on everything from the Olympics to feature films and television episodes with new camera technology for decades.
The production industry is full of hard-working, super talented individuals who all have a hand in creating some of the most spectacular productions - from film and television, to live events and corporate video - and even more. And some of those individuals are incredibly driven, successful women. We have chosen a few of the hard-working women in the production industry that lend their success secrets, tips and encouragement to other women who are striving to achieve greatness.
From concerts and plays to exhibits and conventions, live event production designers do it all. With the wide variety of venues and client demands, production designers operate in a high-pressure industry where they have to be flexible and able to adapt to given settings, which can be difficult when you’re hundreds of miles away from the site and your design associates are unable to travel to the venue and see what you’re working with. Traditional documentation can help designers gain an understanding of what they’re working with, but it’s not the same as experiencing a physical space for themselves. However, with the rise of virtual reality (VR) technology, there is an improvement to this problem.
by Andre ElijahSony Vegas Pro 13 is a Non Linear Editing system from the folks at Sony Creative Software akin to other professional mainstream NLEs from Avid, Adobe, and Apple. Like those other NLE's, Vegas Pro 13 has all of the day to day essentials required by a modern editor including, a timeline, media bins, a viewport for the selected clip, as well as a viewport for the timeline. Additionally - all of the tools in terms of making selections and trimming are where you'd expect. Since I come from a career of mainly editing documentaries - one of the things I've come across lots of is mixed formats of footage. RED, 5D mark II, GoPro, P2, XAVC, and files transcoded in ProRes. I'm glad to report that all of these formats work easily in Vegas Pro 13 - and it is as simple as drag and drop. Additionally you can mix and match all these types of footage in the same timeline without issue.
Let's begin by stating the obvious: marketing your business, whether it's small, medium-size or large, isn't easy. As a marketer, you not only need to create highly effective campaigns that measurably move your business forward, but also to stay on top of a continually shifting marketing landscape. And that of course means separating heft from hype—distinguishing in other words between those marketing trends that are little more than passing fads and those that are potential game changers for your company.