44 blog posts found matching keyword search for: 8K in Appleton
Coming on the heels of a busy NAB Show, Cinemartin announced on Facebook yesterday they have a new camera called FRAN, a new 8K camera in the works. This is great news for cinematographers who are looking to get into 8K shooting but haven’t quite made the move to 8K yet.
After a few months of behind the scenes activity, Cinemartin released new images and specs about their upcoming Fran 8K camera. Rumored to be formally announced sometime later this year, the Cinemartin Fran 8K has the potential to give cinematographers another real choice in digital cinematic cameras.
This year the Christmas Spectacular Starring the Radio City Rockettes received a complete technology update, including an 8K LED upstage display providing lifelike dynamic scenery. Additionally, digital projection mapping of the iconic theatre stretched an immersive environment across all eight of the venue’s arches. Cutting edge content creation studio Obscura Digital was tasked with making audiences feel even more connected to the show, with brand new visual content for both the LED and projection. batwin + robin productions also returned to update and enhance existing content from previous shows. The result is a truly unique show experience.
Large and unstructured data, such as that obtained with video, is often 50 times larger than the average corporate database. This “unstructured” data is projected to surpass 100 Zetabytes worldwide by 2020. Out of the several influencing factors driving this trend, the fact that content resolutions are rapidly rising is fuelling this growth even further. Not only is 4K going mainstream, but 8K and high dynamic range (HDR) content are becoming a more likely choice for a variety of applications such as corporate video, sports, and VR/AR.
From digital cameras to 8K workflows, video and sports production have been in a seemingly constant state of evolution. Veteran Steadicam operator and production specialist Alan Lennox has worked on everything from the Olympics to feature films and television episodes with new camera technology for decades.
As technology continues to progress at a rapid pace, post-production is set to change dramatically. Besides great new software features, compute (and therefore render) power continues to increase with faster processors and more powerful xPUs (GPUs, TPUs, etc.). This means real-time editing of HD, 4K, 8K, AR and VR is fast becoming a reality, ultimately shortening post-production timeframes.
With over 1600 exhibitors, crunching the ProductionHUB Awards of Excellence list down to just 12 outstanding winners and five special mentions was not an easy task. Getting things right never is, is it? It was incredibly hard to put this list in order. Congratulations to all of this year's winners!
So with another IBC in the rearview mirror and NAB NY along with AES just a few days away, you would think we could catch our collective breath. Not going to happen. With more new cameras, new sensors and new gear announcements than I can remember (outside of NAB) there is just a ton of cool stuff going on in our business. Which makes for very good news for us here at ProductionHUB. The problem is where to start? Simple. I am just going to dive right in with both feet. Not in any particular order either but here goes.
2018 was a big year for the production industry with ever-evolving technology, new shooting techniques, tons of new cameras, lighting and more. It's always interesting to imagine what the next year has in store. We spoke to Gary Adcock about the year in review and his predictions for 2019.
4K has been hyped as the next big thing in video, but unless you are an A/V geek, it is all too easy to get confused about what it means. Yoel Zanger, CEO and Founder of Giraffic gives you the insight you need to understand 4K.