27 blog posts found matching keyword search for: Action DP in South Portland
Cinematography is a true art form of filmmaking. Just like learning a language, one must be well versed in the "language" of a cinematographer, before they are really able to communicate. Such things as crucial equipment choices, knowing the right locations to shoot, digital vs film, the list can go on, are essential bits of information that seasoned cinematographers know the answers to.
Blackmagic Design announced that DP Scott Sorensen is using ten Pocket Cinema Cameras to capture secondary footage, as well as to shoot cold openings and the new opening title sequence, on Discovery Channel’s hit television show “MythBusters.” Scott is also using a MultiView 16, SmartView monitor and numerous Mini Converters Analog to SDI to remotely and wirelessly monitor and control the Pocket Cinema Cameras.
Exclusive Interview: DP Paul Cameron Talks The Commuter & What to Expect with Pirates of the Carribean: Dead Men Tell No Tales
If you loved the pilot of Westword, there is plenty more blockbuster magic to come from DP Paul Cameron. He talks in an exclusive interview with ProductionHUB, about the current film he's shooting, The Commuter, and provides a sneak peak into what to expect from the newest installament of the Pirates' franchise, Pirates of the Caribbean: Dead Men Tell No Tales.
From Rawson Marshall Thurber, the writer/director of Central Intelligence and We’re the Millers, comes the YouTube Red comedy series, Ryan Hansen Solves Crimes on Television*. In the genre-bending show, the LAPD creates a task force that partners actors with detectives. The series was shot by cinematographer Charles Papert (Mary + Jane, Key and Peele) with VariCam LT cinema cameras.
This season’s Marvel Studios mega grosser Black Panther is scoring big at the box office and with audiences. Under the guidance of DP Rachel Morrison’s Gaffer, Dan Cornwall and Lighting Programmer, Elton James, VER provided Enhanced Environments for three sets on the feature, shot at OFS and EUE/Screen Gem Studios in Atlanta.
This visual stunning film combines twenty years of stunning action footage with new specially-shot verité footage and interviews as it follows U.S. champion snowboarder Kevin Pearce and exposes the irresistible but potentially fatal appeal of extreme sports. An escalating rivalry between Kevin and his nemesis Shaun White in the run-up to the Olympics leaves Shaun on top of the Olympic podium and Kevin in a coma following a training accident. Kevin's family flies to his side and helps him rebuild his life as a brain injury survivor. But when he insists he wants to return to the sport he still loves, doctors caution him that even a small blow to the head could be enough to kill him. How much risk is too much? Get an inside look on the creation of this awe-inspiring documentary from DP, Nick Higgins.
DP, Tim Arasheben gives us an inside look at what it's like to shot with Canon's 50-1000mm lens on set on the short film, “Connections." Learn the pros and cons of the lens, along with info about the short and what projects Arasheben has set for the future.
by featured blog contributor, Jeremy PinckertYou’ve collaborated on the storyboards, you've charmed on the conference call, you've nailed the pitch, and now you've won the job! It's Monday morning, and for once you're actually looking forward to making the harrowing commute...Starbucks is pulsing through your veins and you're ready - no you're stoked - to embark on that big-brand TV shoot. And then your phone interrupts your pump-up music on the BPM channel. Your apologetic producer is on the line and gently breaks the news: you don't have the money in the budget for that gorgeous steadicam shot you built into the boards. The steadicam shot that left you so inspired to direct this project in the first place. The buttery smooth eye-pleasing delicacy you were going to build your reel around. Options quickly flood into your brain: You could cash in the 401k, or even worse, call in favors from those famously curmudgeonly, hard-working steadicam operators just to get a shot like the famously long, intricate, and beautiful steadicam shot in Martin Scorcese's "Hugo" below:
Lifeboat, the Oscar-nominated documentary short, is a sobering examination of mass immigration. It tells the harrowing story of refugees who attempt to cross the Mediterranean Sea from the northern coast of Africa. Director Skye Fitzgerald and Producer Bryn Mooser follow a rescue team from the German non-profit Sea-Watch, which helps carry refugee boats off the coast of Libya to safety. ProductionHUB member Skye Fitzgerald gives us a behind-the-scenes look.
A remake of the 1973 film of the same name, Papillon tells the epic story of Henri “Papillon” Charrière, a safecracker who, after wrongly convicted of murder, must escape the infamous French prison colony of Devil’s Island. The film tells a thrilling, brutal story of survival as the characters fight both the elements and the encroaching effects of isolation-induced insanity. Cinematographer Hagen Bogdanski shares his process in shooting the film, and how he dealt with the elements to find the emotional human core at the center of the story.