27 blog posts found matching keyword search for: Aerial Camera
So you're a Director or Producer who trolls on Vimeo for creative ideas and inspiration. After weeding through a gazillion time-lapse and steadicam videos, you've hit on a school of ridiculously beautiful aerial shots. You keep telling your creative inner self, “We’re gonna find a place for this scene in a project!” Then the perfect project rolls around, and you put the shot into the storyboards and base another 3-4 shots on this visual hook because the ideas is so awesome. And you're super stoked. Then the Buzzkill happens...
From running around as a kid with a 35mm black and white camera, to renting a camper van and driving through New Zealand for a month while I took pictures of all my surfing adventures, I have always wanted to take my love of nature, people, humanity and technology and bring them together.
by Stephan Guarch & Edgar Cohen Aerial photography and videography are nothing new to the production world. But how we achieve those shots certainly has in the last 12 months. Drones have exploded in popularity as a way to get aerial and low altitude footage for videos, for everything from full feature films such as “The Wolf of Wall Street” to the everyday film hobbyist who flies leisurely at the local park. But for anyone who has actually tried to capture this footage there’s quite the learning curve involved when it comes to choosing the right drone and what seems like an infinite amount of accessories and upgrades. This week the team at Experience Above posts a nice overview of the top 3 tips for getting started with drone video production, a handy starters guide.
Like we said in our last ProductionHUB newsletter, the new product announcements just keep on coming. In the intimate (and way too cool) setting of the Neuhous Theater and under a gorgeous Los Angles twilight, DJI unleashed maybe — just maybe — one of the most captivating and interesting new products in recent memory. The Zenmuse X7 with a 35mm sensor and a full set of new carbon fiber lens designed specifically to work with the 35mm sensor. Gotta tell you straight up - they knocked it out of the park. Long known for excellence in the drone world, DJI seems keen on not only keeping up but also surpassing the norm. What was on display wasn’t just new product but some new ways of approaching the production and post-production workflow.
by featured blog contributor, Jeremy PinckertYou’ve collaborated on the storyboards, you've charmed on the conference call, you've nailed the pitch, and now you've won the job! It's Monday morning, and for once you're actually looking forward to making the harrowing commute...Starbucks is pulsing through your veins and you're ready - no you're stoked - to embark on that big-brand TV shoot. And then your phone interrupts your pump-up music on the BPM channel. Your apologetic producer is on the line and gently breaks the news: you don't have the money in the budget for that gorgeous steadicam shot you built into the boards. The steadicam shot that left you so inspired to direct this project in the first place. The buttery smooth eye-pleasing delicacy you were going to build your reel around. Options quickly flood into your brain: You could cash in the 401k, or even worse, call in favors from those famously curmudgeonly, hard-working steadicam operators just to get a shot like the famously long, intricate, and beautiful steadicam shot in Martin Scorcese's "Hugo" below:
It was January of 2013 when something called the Phantom was released by DJI a Chinese UAV manufacturer. The Phantom was a remotely operated platform to add a GoPro camera for capturing aerial video and photos. This was ground breaking for most filmmakers and hobbyist since it was a way to add a high budget look to their work at low costs. Since 2013 DJI among many other manufacturers have raised the bar on technology and the growth of the drone industry has sky rocketed.
Drones have become more and more popular to the film industry in recent years. A vast number of feature films are being shot using drones. Both mainstream and indie filmmakers have opted to use drones in order to capture aerial shots and the results are stunning!
Director, Antek Nykowski, describes the challenges of filming the day to day activities of the mountain rescuers and the use of aerial drones and RED dragon to enhance the shots.
Thanks to small, high-quality digital cameras, professional and personal drones have completely transformed the production industry, letting filmmakers capture shots that were previously unattainable to non-studio filmmakers. To capture aerial footage a few years ago, you had to either book time in a helicopter containing a professional operator, remote head, and bulky HD camera, or, for lower altitudes, rent the services of a small remote helicopter and operator from a company like Flying-Cam or Coptervision. As you can probably guess, helicopters don’t come cheap.
Unmanned aerial vehicles (UAVs) are taking over the skies. They’re being used for everything from “reality capture” (as detailed for businesses to sheer enjoyment by hobbyists. As regulations become clearer and equipment grows increasingly affordable and user-friendly, the production industry is taking up its fair share of the sky, too. More video crews than ever are certified to fly small UAVs for commercial purposes. For more on what this means for both production crews and clients looking to hire drone services, we talked to Ryan Goble, Senior DP and FAA-certified drone pilot at Running Pony.