25 blog posts found matching keyword search for: Audio Mixing in Irvine
When it comes to bringing a story to life with sound, there's more to it than meets the eye... or ear. Woody Woodhall, CAS is President of Allied Post Audio in Santa Monica, CA and is an award winning supervising sound editor, sound designer and rerecording mixer. He has sound supervised and mixed feature films, documentaries and for television he’s VO recorded, sound edited and mixed hundreds of episodes of programming for MTV, Comedy Central, Food Network, Nat Geo, History, USA Network and VH-1 to name a few.
By N. Halpern“Liquid Planet” is an elegantly-designed loop library for producers and composers, emphasizing ambient textures and ethnic percussion loops. The library was developed by Robert Rich, a California-based composer known for his work in ambient and minimalist music. The library is available as a subset of Sony Creative Software’s “Scoring Pack” or as a standalone library.The library is well organized, with its materials divided into seven general folders: Clean Flutes, Drones & Abstract, Ethnic Percussion, Melodic Metal, Synthetic Pulses, and Twinkles. Where applicable, each file is labeled and meta-tagged with its respective original tempo and/or key. All audio is clean and high fidelity.
G2 Crowd, the world’s leading business software review platform, recently released a report around video editing software. After analyzing more than 200 user reviews of eight different video editing products (Adobe Premiere Pro, Final Cut Pro X, iMovie, Avid Media Composer, DaVinci Resolve, Edius Pro, Sony Vegas Pro and HitFilm4Pro), trends emerged around what features need improvement, as well as features that are key positives in the video editing processes.
Netflix, the on-demand streaming service, has produced a streak of compelling original programming that pleases both critics and consumers. House of Cards. Orange Is The New Black. And now, Daredevil, the story of a blind, crime-fighting vigilante who protects the Hell's Kitchen neighborhood of Manhattan.
by N. HalpernThe Sony Pictures Sound Effects Series is a ten-volume collection of sound effects, foley, and sound design elements. This wide-ranging collection takes its material directly from the vaults of Sony Pictures Entertainment; unsurprisingly, the quality of the material is uniformly top notch. Besides being a nice potential additional to a sound designer or mixer’s arsenal, this is also an excellent commercial library for quick access for editors, producers, theater producers, and even composers (more on that later) who need to take sound matters into their own hands.
Adding music to a film can add power and interest to the production. And when the music is an integral part of the story, the power is multiplied. Filmmakers, creative editing company editors and sound engineers need to work together to realize the full advantages of using music in their film.
Is this not a great business to be in? Hard to believe not to long ago that the 2017 NAB was wrapping up. Officially, the National Association of Broadcasters tabbed the attendance at 103,443. Which after twenty something NAB shows sounds and feels about right. But before we get into some of the cool new products we looked at, some perspective and analysis is definitely in order.
What could be better than starting off 2017 with one of the best showcases of new professional music products and services? Hot off the heals of the CES in Las Vegas The NAMM (National Association of Music Merchants) Show is set to kickoff January 19th through the 23rd 2017 at the Anaheim Convention Center Anaheim, California.
When I was first approached about doing a product review for SlingStudio (owned by DISH), I was pretty skeptical. What would a huge company known for delivery content know about creating content? But I digress. I come from the traditional sit behind the switcher in the truck produce and punch the show or game. You get it. Big setups, lots of presets and time. Then it dawned on me that multicamera (multi-source) is mostly the same however you approach it. It's really all about scaling your production plan to the scale of the production and what is it that you want your audience to see and experience.
You’re a filmmaker, a band, a special effects producer, a virtual reality game designer, a vlogger or rapper and you’re looking to rent a sound stage, a green screen or a recording studio for your project. Many creative and artistic people know what they want their finished product to look like and are thinking about going to a media studio to make it perfect.