142 blog posts found matching keyword search for: Audio Post in Raleigh
Visual Data Media Services provides post-production services, film scanning and transcoding for a wide range of international customers, preparing content for distribution across the world’s premier broadcast channels and digital platforms. For more than two decades, the company has successfully provided everything from ingest and scanning to editing, captioning and localization, growing to become a premier resource for the entire mastering and delivery process. But last year, with a tremendous increase in 4K and ultra high definition (UHD) projects, Visual Data’s systems were struggling to keep up.
by Tom CoughlinATTO has long provided important infrastructure technologies for storage supporting companies making digital storage supporting video workflows. At the 2014 IBC the companies equipment was being used in over 50 workflow demonstrations at many partner company exhibits.
Over the past decade, most of the world has adopted some form of loudness legislation for television. This is wonderful news for casual viewers who understandably hate loud commercials, as well as for the Federal Communications Commission (FCC), which received approximately 1,000 complaints and 5,000 inquiries about excessively loud TV commercials between 2008 and 2012. But, for those who work in television post-production, it can complicate matters somewhat.
Remote interviews are a fact of life for every podcaster, and in today’s era of social distancing, more so than ever. Since you rarely get the chance at an interview do-over, nailing down your remote recording workflow is essential. We’ll show you how to prepare for and record a remote interview, so you get it right the first time — with some additional tips along the way to make sure all your bases are covered.
Post|Production World returns to NAB Show Las Vegas as a hybrid training event this October. As the highly anticipated event of the year for the media and entertainment industries, many post and production professionals are eager to return to in-person training. With over 120+ training sessions to choose from, attendees could expect to learn something new this year while also taking the opportunity to reconnect with the community.
If I had to pick one constant among independent film festival submissions it would be unintelligible dialogue. The cause of desperation of every director; the bane of every mixing engineer’s existence; the source of suffering of your friends and family, forced to go through a whole movie they don’t understand because the actors’ words simply can’t be heard. This and many other nuances of your film’s sound are the victims of a few often overlooked details, which in turn result in the delivery of a subpar soundtrack, driving your audio post team insane and wasting production money. Good news is these mistakes can very easily be prevented. You can start by tackling a few key issues often associated with your role.
The Cloud and High Performance Computing Enables Modern Workflows and High Resolution Virtual Reality 360-Degree Video
This piece explores insights on digital storage for media and entertainment applications based largely on the 2020 SMPTE Technical Conference. This includes looking at increasing use of cloud storage and other services for media and entertainment applications as well as VR/AR content including 360 degree and volumetric imaging
This fall, audio professionals from all around the world convened at the 141st AES Convention in downtown LA to check out the leading-edge audio technology and gear of 2016. Not only was the Los Angeles Convention Center jammed with countless exhibit floors, but there was also a myriad of seminars where attendees gathered to gain insight on these new developments. Some of the highlights included VR/360° audio microphones, virtual microphones and ground-breaking audio plug-ins that now change the way engineers can mix, master and record.
When it comes to bringing a story to life with sound, there's more to it than meets the eye... or ear. Woody Woodhall, CAS is President of Allied Post Audio in Santa Monica, CA and is an award winning supervising sound editor, sound designer and rerecording mixer. He has sound supervised and mixed feature films, documentaries and for television he’s VO recorded, sound edited and mixed hundreds of episodes of programming for MTV, Comedy Central, Food Network, Nat Geo, History, USA Network and VH-1 to name a few.
With live-action production largely shut down across much of the globe, more has been asked of the post-production community -- whether in animation, visual effects community, music and audio post -- to creatively take up the slack. At least that’s how it seems from the perspective of Wayne Brejcha, Creative Director/Co-Owner (along with Executive Producer Sean Henry) of acclaimed Chicago animation studio Calabash.