29 blog posts found matching keyword search for: Avid Editors in Oregon
Today’s reality TV productions are ambitious in their size and tight broadcast schedules, requiring a multitude of impressive engineering feats. When not tracking every move of a housewife, psychic medium or celebrity, other shows such as Hell’s Kitchen, America’s Got Talent or The Voice closely follow the progress of contestants and are broken up into segments: the documentary portions that tell the back stories of contestants, the behind-the- scenes shots that show the contestants preparing for the competition, and then the (sometimes live, sometimes not) actual competition portion itself.
It’s been a harrowing year and a half for the video production world. Producers froze development, sets became ghost towns and the post production world faced the challenge of being separated from their SANs, fiber channel networks, and fast, redundant shared storage solutions.
Gabriel Rhodes, the editor of the Oscar-nominated documentary Time, talked with us about his work on the film. Gabriel, a veteran doc editor who cut Matangi/Maya/M.I.A. (Special Jury Prize Sundance 2018), Newtown, and The Witness, worked closely with director Garrett Bradley to showcase the harmful impact of the prison-industrial complex through the compelling story of Fox Rich, who has fought for her husband’s release from prison for the past two decades. Gabriel blended over 20 years of video diaries, present-day interviews and verité footage, using Adobe Premiere Pro to pull it all together.
In the past there have been many good reasons why someone might choose to hire or work with a remote editor, however during the time of Covid-19 it’s become more of a necessity. If you’re planning on working with an off-site editor, there are some things you can do that will:
In June, Signiant highlighted the pandemic's effects on ENVY Post Production's workflows and Signiant's role in helping navigate them. Technical operations director, Jai Cave, explained, “We successfully moved an entire facility fully remote from offline to finishing post in a matter of weeks, so we have been able to deliver on our projects without disruption.”
When it comes to bringing a story to life with sound, there's more to it than meets the eye... or ear. Woody Woodhall, CAS is President of Allied Post Audio in Santa Monica, CA and is an award winning supervising sound editor, sound designer and rerecording mixer. He has sound supervised and mixed feature films, documentaries and for television he’s VO recorded, sound edited and mixed hundreds of episodes of programming for MTV, Comedy Central, Food Network, Nat Geo, History, USA Network and VH-1 to name a few.
In the face of economic and creative adversities, this crazy year has wrought upon the industry, some filmmakers (and their production partners and vendors) are finding ways to thrive and flourish. One such pair of filmmakers is the dynamic environmental filmmaking duo of Josh and Rebecca Tickell.
by Barry AnderssonI got my hands on the Atomos Ninja Blade. I am a proud owner of the previous Atomos Ninja 2 and I wanted to see what the major differences between the two and if there were any major changes from a usability standpoint.
On March 13, 2020 — Friday the 13th — President Trump's declaration of a national emergency capped an extraordinary week of COVID-19’s escalation in the United States. Less than two weeks before, the media and entertainment industry debated if the annual NAB Show would cancel; today, much of the nation is in voluntary isolation — businesses have closed, sporting events shut down, and thousands trying to work remotely. Even for those following the virus from its outbreak in December 2019, the speed and impact are staggering.
Editor Todd Downing was ACE-nominated for his work last year on Russian Doll season one. This year he has put his incredible talent into three episodes of the intriguing FX limited series, Mrs. America.