12 blog posts found matching keyword search for: BBC in Syracuse
CinematographerBertie Gregory is the 26-year-old behind BBC's Seven Worlds, One Planet. He's already a 2020 BAFTA nominee, and current Emmy-contender. Bertie has made a name for himself as one of the youngest and most sought-after wildlife filmmakers in the business. Along with Seven Worlds, he has contributed his talent to a variety of wildlife projects, including producing/hosting for National Geographic’s online series, WildLife: Resurrection Island and WildLife: The Big Freeze.
by John PokornyPanelists:Daniel Danker, Chief Product Officer of Shazam Dan Biddle, Head of Broadcast Partnerships, Twitter UK Matt Millar, CEO, Tellybug Steve Godman, IMI MobileDaniel Danker: (Left BBC for a career with Shazam)Most people don’t realize Shazam is 10% of all digital music sales in the world right now; and 70 million people a month are using it. It’s a super simple setup. I came on board to grow Shazam for the TV area of the company. Did you know 80% of users Shazam television? It’s not just about pulling your phone out at a Café or nightclub when there is a song you don’t recognize. It is being utilized for a lot more. All of this prompted me to ask a question that is pretty unpopular:“When it comes to second screen, have we been trying to solve a problem that doesn’t really exist?”
Setting out a clear roadmap at the start of a media publicity campaign is at the heart of any strategy. However, many PR professionals find that during the campaign issues with expectations begin to emerge. And the clear roadmap does not look so clear anymore.
Mark Schulze has been an entrepreneur since graduating from UCSD in 1981, when he started his video production company, Crystal Pyramid Productions. As he added more equipment, experience and talent to his arsenal, he began acquiring prestigious international clients like UPS, Oprah, MasterCard, Extra and others and has won multiple international awards for his skills.
AJA's Director of Product Marketing, Bryce Button, goes in-depth about FS-HDR and how it's used in the production space today.
SMPTE was hosting a major push on the IMF specification (SMPTE ST2067) with the Digital Production Partnership (DPP) out of England. The IMF specification was created to make the Interoperable Master Format (IMF), interoperable, so vendors and customers could use it. The IMF standard requires changes in the way that content is created in order to make greater efficiencies for broadcast and online content distribution. In addition to SMPTE and DPP, the North American Broadcasters Association (NABA), The European Broadcasting Union (EBU), several manufacturers and end users have been involved in making the IMF specification.
As Jai Cave, ENVY’s technical operations director put it, “in a way, we are the cloud to our customers and partners.” ENVY’s use of modern technology, including remote edit capabilities and their expansive use of Signiant Media Shuttle, enables them to collaborate with customers and partners around the world, and made the transition to remote work during the COVID-19 pandemic any easy one. Although project files and media are stored securely on-premises at ENVY’s facilities in London, they are able to collaborate globally thanks to their forward-thinking approach to post production.
Audio has always played a major part in entertainment media. It has made the big screen in the cinema not only seem bigger but also enveloped the audience with music and sound effects to further wrap them up in the visual story. This approach has also been exploited by television - particularly for sports coverage and video games.
Editor Todd Downing was ACE-nominated for his work last year on Russian Doll season one. This year he has put his incredible talent into three episodes of the intriguing FX limited series, Mrs. America.