238 blog posts found matching keyword search for: Camera Crew in San Bernardino
After investing in a RED Epic Dragon camera less than five years ago, it has always been extremely important to me to be able to keep it powered through an entire day. Core SWX allows me to do just that.
The industry continues to grow more and more each year with women filmmakers stepping into critical roles, from directing to camera operation, production design and editing. Each year, ProductionHUB celebrates a few incredible women in the field by highlighting their accomplishments, their stories and advice they have for other women in the industry.
by Bradford HillThe Canon XA25 Pro HD Camcorder is a compact 1/2" inch CMOS Sensor Camera with a lot of great and unexpected stand-out features. To start, its full auto & manual modes, its two XLR inputs, and an HDSDI slot packaged with the ability to shoot 1920x1080 at 59.94p are notable. While traveling on shoots, I was impressed with the capability to be able to record 1080p at 60fps within a moment’s notice. This frame rate is a new feature to the Canon line of cameras, which gives this camera a competitive edge. It is also easy to manage when set to auto mode, which comes in handy if a novice needs to use the camera on a small crew shoot, or to simply capture any ‘run-and-gun’ footage.
With in-person concerts on hiatus, Grammy-nominated rock band Underoath turned to Odd!Life Studios to help produce a live streamed concert series so fans could enjoy their music while at home. Creating an immersive experience that was equal parts performance art, the concert series (“Underoath: Observatory”) consisted of three concerts over the course of three weeks, with each concert covering one of Underoath’s albums in its entirety. Cinematographer, Director and Producer Lief Thomason from Odd!Life Studios spoke exclusively to us about what it took to successfully pull off the concert series, including how using a Blackmagic Design workflow powered by four Pocket Cinema Camera 6Ks, an ATEM Mini Pro, ATEM 2 M/E Production Studio 4K and ATEM 1 M/E Broadcast Panel helped them get everything done within their tight two week turnaround time.
Let me tell you a short story. When Quentin Tarantino was working on The Hateful Eight, they rented an extremely expensive 145-year-old guitar for the purpose of shooting a scene. In that particular scene, Jennifer Jason Leigh's character was supposed to play the guitar, when Kurt Russel's character snatches it and breaks it on the floor. The idea was to cut the scene at the right moment, replace the guitar with a fake, and then break the fake guitar. However, that was not communicated properly to Kurt Russel, and the rest is history. As you can see, there are certain rules and tips for working with rented gear on your shoot. To prevent any similar mishaps, let's see what are the best practices you should follow.
Real-time Augmented Graphics that Blend the Real and Virtual Worlds with Marker-less Camera Tracking
Augmented graphics have come a long way in the past decade, from formerly rotund weatherman Al Roker obscuring the first two days of the seven-day forecast to reporter Jessica Yellin channeling a holographic Princess Leia while discussing results of the 2008 presidential campaign with Wolf Blitzer. Fast forward ten years and the real and virtual worlds are blending into one.
Director Joseph Oxford and cinematographer Bradley Stonesifer created a unique live action short film “Me+Her,” which was accepted into this year’s Sundance Short Film program. What makes this film so special is that Joseph and Bradley created an incredible imaginary world where all of the main characters and sets were built out of standard cardboard boxes. While any film admitted into the Sundance competition is going to look amazing, the fact that Joseph and Bradley captured stunning images using only cardboard really sets this project apart.
Chris Boyle is a nomadic inventor who strives to keep one foot in the laboratory and one in the sand. SOLOSHOT is a great new tool for filmmakers, videographers, and indies. It's a cost effective way to create stellar shots and a great way to take care of filming as if you had your own ESPN cameraman filming the game for you. With gear like SOLOSHOT coming on the market, Boyle, SOLOSHOT's CEO and is Chairman of the Board, thinks it's possible that they’ll start to see studio sized scenes like Braveheart coming from independents. Learn how the idea of SOLOSHOT came to be and where it will be in the future.
You take the plunge and the cool quiet mumbling of life below edges out the background hum of the world above. Everything beyond the surface takes a distant place in your ears, and if you’re lucky, in your mind, too.
Working as a photographer or a cameraman during winter is not a pleasant feeling. Being in that business, you have to be present on set for hours, working without a break, and under any weather conditions. Furthermore, when you do take breaks, you need to store your equipment somewhere before proceeding. Cold weather is not good for your health, nor is it good for the state of your camera. With that said, here are a couple of the best tips for storing filming equipment in a cold climate.