48 blog posts found matching keyword search for: Camera Department
Southeast Missouri State University’s Department of Mass Media Uses Marshall Electronics for Broadcasts
Southeast Missouri State University’s Department of Mass Media is using monitors from Marshall Electronics for its curriculum as well as for its broadcasts, which include telecasts for the local CW and Fox affiliates, and for streaming of various sporting events. We got an exclusive interview with Dr. Jim Dufek, Professor, TV & Film Operations Manager, SETV Production Director, Dept. of Mass Media at Southeast Missouri State University.
Published on Friday, June 29, 2018 10:00 AM
A Comprehensive Guide to One-Camera Live Streaming Setups
While the majority of Mainstream Media's live streams are multi-camera configurations, there are numerous situations where only one camera is needed. Events such as online learning modules, press conferences, electronic news gathering, and internal corporate broadcasts can be really successful with a simple one-camera setup.
Published on Tuesday, April 12, 2016 12:06 PM
Anton/Bauer, Litepanels & OConnor Keep The Americans Camera Dept on the Move
The camera crew behind the hit FX TV series The Americans chose Vitec Videocom brands to support the production through its second season. The show’s cinematographer Richard Rutkowski, and camera assistants Brendan K. Russell and Rory Hanrahan, rely on Anton/Bauer batteries and chargers, Litepanels LED lights, and OConnor fluid heads and tripods for their reliability and durability during stage and location shoots, which helps keep the show on pace and on budget.
Published on Thursday, May 22, 2014 3:05 PM
DP & Cinematographer Kevin Otterness Keeps the Camera Rolling with Core SWX
After investing in a RED Epic Dragon camera less than five years ago, it has always been extremely important to me to be able to keep it powered through an entire day. Core SWX allows me to do just that.
Published on Thursday, May 31, 2018 10:00 AM
Our Take on Shure's VP83 & VP83F LensHopper™ Microphones
Pro Videographer & Editor Bradford Hill has had a lot of experience shooting events, music videos & interviews across the nation. His project require crisp sound with clear settings. When Shure shipped both their VP83 LensHopper™ mic and the VP83F LensHopper™ mic straight to ProductionHUB Inc., Hill hooked them up on both the Canon C100 and Canon XA25 to see just how sound these mics truly are.
Published on Monday, December 2, 2013 10:00 AM
5 Makeup Tips from a Pro Makeup Artist
Being in front of the camera is not easy. This is especially true for corporate clients with less experience in the spotlight. When being interviewed on camera, there are small details that can make a major impact on the final video. Makeup Artist Crisger Santley delivers her top five makeup and hair tips for interview shoots.
Published on Friday, April 26, 2019 10:00 AM
Tips on Finding Your Composition in Wedding Cinematography
By Ray Roman I never really planned on leaving my fulltime job to become a wedding cinematographer. I was working at a police department on the SWAT team when I entered the business, and I thought it was just going to be a hobby. Over time, however, I started booking more clients than I could handle, and I had to make the leap. I was obsessed with video production. My first lesson of advice to anyone pursuing a newfound passion while still working fulltime would be to take it slow. I never considered the backlog that was going to come with these jobs until it was too late, and although I loved every second of it, it was hard work for a novice. I had to work doubly hard to develop my craft.
Published on Thursday, June 25, 2015 3:12 PM
5 Questions with ARRI’s Alan Lennox
Over his 30 years in production, Alan Lennox has worked in many capacities leading up to camera operator and then specializing in Steadicam. He is currently an active member of the Society of Camera Operators, IATSE 667Toronto, IATSE 669 Vancouver and other industry associations. Alan was one of the first operators to adopt the ARRI Trinity -- the first hybrid camera stabilizer that combines classic mechanical stabilization with advanced active electronic stabilization. He then joined ARRI as the Camera Stabilization Systems (CSS) Specialist for the Americas. Currently, Alan shares his time between supporting CSS sales, demonstrations and tradeshows and also leads ARRI’s CSS workshops for the ARRI Academy for Maxima, artemis, Trinity and Stabilized Remote Heads.
Published on Wednesday, March 20, 2019 10:00 AM
Learn Cameras with ARRI Academy
ARRI Academy offers a wide range of training courses to help users of all abilities to gain hands-on knowledge of ARRI products and workflows and build their on-set confidence. We sat down with Art Adams, and experienced camera operator and DP, to talk about the upcoming ARRI Academy crash course he's teaching.
Published on Wednesday, May 16, 2018 10:00 AM
Spooky Creatures Come To Life With Special FX Make Up Artist Antonina Henderson
Special Makeup Artist Antonina Henderson is making a name for herself in the industry by creating elaborate creatures and transforming talent for film, TV and live events. The one-time U.S. Army firefighter turned artist found her calling in college and has since turned her passion into a blossoming career.
Published on Tuesday, October 9, 2018 10:00 AM
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