132 blog posts found matching keyword search for: Camera Lenses
In an industry where gear plays such an important role, you know a piece of equipment is worth a look when it becomes the consensus choice of the pros. For many, the Sony FS7 has achieved that status among cameras currently on the market. For the scoop on this topic, we interviewed Tammy Rogers, a seasoned production manager with a pulse on what video service clients and providers are talking about.
From running around as a kid with a 35mm black and white camera, to renting a camper van and driving through New Zealand for a month while I took pictures of all my surfing adventures, I have always wanted to take my love of nature, people, humanity and technology and bring them together.
I might not send this one back. Ok, I know I say that a lot (like all the time) but in this might be the case this time, not kidding. After shooting with the Panasonic AU-EVA1 over the last several weeks I have come to the not so modest conclusion that this is one heck of a camera. I say that in the midst of a stream of new or updated cameras from a bunch of manufacturers that started in mid-2017 and haven’t stopped yet. So what makes the Panasonic EVA1 stand out? Thought you would never ask.
The industry continues to grow more and more each year with women filmmakers stepping into critical roles, from directing to camera operation, production design and editing. Each year, ProductionHUB celebrates a few incredible women in the field by highlighting their accomplishments, their stories and advice they have for other women in the industry.
The 2018 Winter Games in PyeongChang presented broadcast professionals with some of the harshest winter temperatures and conditions. From extreme cold, with temperatures in the negative digits, to high winds and snow storms, the winter elements were at their best. No stranger to these elements, Specialty Camera Operator Corey Koniniec was prepared and ready when selected by NBC to record all aspects of the snowboarding and skiing competitions in PyeongChang. His use of Core SWX to power his RED cameras for the long, cold 10-hour days throughout the two-week assignment of a lifetime provided him with successful and rewarding results.
Delve into Canon's CINE-SERVO Zoom Lens to learn it's functionality and features, along with the future of of the company and it's other new products.
I was lucky enough to serve as the technical advisor on AbelCine’s Behind the Lens project, a web series looking at 11 professional zoom lenses covering the indispensable 3x wide-to-tight range, perfect for handheld shooting in run-and-gun documentary situations. New York-based cinematographer Matt Porwoll graciously agreed to helm Behind the Lens: A Look at Documentary Zooms, which launched in April. We just posted the final episode in the series and wanted to look back and highlight some key findings about each lens.
Like we said in our last ProductionHUB newsletter, the new product announcements just keep on coming. In the intimate (and way too cool) setting of the Neuhous Theater and under a gorgeous Los Angles twilight, DJI unleashed maybe — just maybe — one of the most captivating and interesting new products in recent memory. The Zenmuse X7 with a 35mm sensor and a full set of new carbon fiber lens designed specifically to work with the 35mm sensor. Gotta tell you straight up - they knocked it out of the park. Long known for excellence in the drone world, DJI seems keen on not only keeping up but also surpassing the norm. What was on display wasn’t just new product but some new ways of approaching the production and post-production workflow.
Real-time Augmented Graphics that Blend the Real and Virtual Worlds with Marker-less Camera Tracking
Augmented graphics have come a long way in the past decade, from formerly rotund weatherman Al Roker obscuring the first two days of the seven-day forecast to reporter Jessica Yellin channeling a holographic Princess Leia while discussing results of the 2008 presidential campaign with Wolf Blitzer. Fast forward ten years and the real and virtual worlds are blending into one.
Director Joseph Oxford and cinematographer Bradley Stonesifer created a unique live action short film “Me+Her,” which was accepted into this year’s Sundance Short Film program. What makes this film so special is that Joseph and Bradley created an incredible imaginary world where all of the main characters and sets were built out of standard cardboard boxes. While any film admitted into the Sundance competition is going to look amazing, the fact that Joseph and Bradley captured stunning images using only cardboard really sets this project apart.