6 blog posts found matching keyword search for: CineAlta in Anaheim
A Directors Choice: Sony F55 vs. Canon C500 vs. Arri Alexa
by featured blog contributor, Jeremy Pinckert I recently needed to prep for a shoot where we had to match RED ONE 4K footage from 2010. The discussion came down to which 4K camera to use for this video shoot, and at first I was stuck choosing between the Sony CineAlta PMW-F55, the Canon Cinema EOS C500, and the ARRI ALEXA camera systems. Read further to follow our thought process, and see the final results captured by the winning camera system!
Published on Thursday, May 9, 2013 1:39 PM
'The Blacklist' Short Lists Anton/Bauer, Litepanels and OConnor
Cinematographers Eric Moynier and Michael Caracciolo shoot NBC's hit series, The Blacklist, with support from Anton/Bauer batteries, Litepanels fixtures, and OConnor fluid heads. Mostly shot on location - including Manhattan, the outer boroughs, Long Island, New York's Rockland and Westchester counties and the stages of Chelsea Piers - the show's dramatic storytelling is a perfect match for the tools.
Published on Wednesday, April 29, 2015 3:56 PM
IBC 2017: The “Must See” List
There are a lot of IBC preview lists (including our own) but I wanted to wait until the last minute so I could get you some of the latest info about IBC. So now, with IBC here, it is a perfect time to check out some of the latest gear that will be on display in the exhibition halls in Amsterdam. It is true that almost nothing beats actually getting on the floor to get some hands on time with the new stuff. But sometimes you just can’t get there. We get it. So if you can’t be there, don’t worry, ProductionHUB has you covered. But don’t think we are going to stop there. We plan to continue on extensive coverage during, and after IBC too. Make sure you are checking out the latest show updates on IBCHUB.com. Let’s Go!
Published on Friday, September 15, 2017 8:01 AM
Cameras, Cameras Everywhere!
So with another IBC in the rearview mirror and NAB NY along with AES just a few days away, you would think we could catch our collective breath. Not going to happen. With more new cameras, new sensors and new gear announcements than I can remember (outside of NAB) there is just a ton of cool stuff going on in our business. Which makes for very good news for us here at ProductionHUB. The problem is where to start? Simple. I am just going to dive right in with both feet. Not in any particular order either but here goes.
Published on Monday, October 9, 2017 3:17 PM
Real-time Augmented Graphics that Blend the Real and Virtual Worlds with Marker-less Camera Tracking
Augmented graphics have come a long way in the past decade, from formerly rotund weatherman Al Roker obscuring the first two days of the seven-day forecast to reporter Jessica Yellin channeling a holographic Princess Leia while discussing results of the 2008 presidential campaign with Wolf Blitzer. Fast forward ten years and the real and virtual worlds are blending into one.
Published on Monday, March 11, 2019 10:00 AM
The Journey to 100 Years with The ASC
Richard Crudo, ASC was born and raised in Brooklyn, New York. He began his film career as an assistant cameraman. As a director of photography, Crudo has shot a wide range of feature, television, and commercial productions. Among his feature credits are Federal Hill, American Buffalo, American Pie, Music From Another Room, Outside Providence, Down To Earth, Out Cold, Grind, Brooklyn Rules and some 26 episodes of the Emmy-award winning Justified. He has also directed several independent features.
Published on Wednesday, March 27, 2019 10:00 AM
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