50 blog posts found matching keyword search for: Color Grading in Mission Viejo
Colorist TAL Perfects the Balancing Act of Color Grading TBS’ ‘King of the Nerds’ with DaVinci Resolve
Due to its unique competitions and unexpected surprises, “King of the Nerds” is not your typical reality show. But that didn't deter freelance colorist Yoram Tal, better known as just Tal, from jumping aboard to color grade the series, for which he uses DaVinci Resolve.
Chips Ahoy, Golden Grahams and Resolve: Color Correcting National Food Spots with Jalal Jemison and DaVinci Resolve
As the lead colorist at BENT Image Lab, Jalal Jemison has it pretty sweet, especially when it comes to grading commercials for Nabisco’s new Ahoy! Extras cookies and General Mills’ Golden Grahams® cereal. BENT Image Lab is a Portland, Oregon based production company and creative laboratory, known for melding art, design and storytelling. It is a place where the brightest ideas are driven with an artist’s passion and realized through the use of cutting edge technology, such as Blackmagic Design’s DaVinci Resolve 9 color correction software.
SmallHD, known for compact, full HD on-camera monitors is giving away a free set of color grades that recreate the unique look of seven different iconic films, and are also publishing multiple video tutorials explaining how to get the most out of these looks during both production and post production-all 100% free of charge to anyone who wants to download them.
We recently spoke with Director, Editor and Creative Tony Gallardo about using DaVinci Resolve 15 Public Beta on several upcoming social media spots for Copper Gel pain reliever. For the project, Tony used DaVinci Resolve 15 extensively for editing, sound design, Fusion (to add titles) and color grading/finishing.
Colorist Samuel Gursky from New York-based post house Irving Harvey discusses his work on four different projects from SXSW 2018. By using the DaVinci Resolve Studio and a DaVinci Resolve Micro Panel for the projects’ color grading and final conform, he was able to get the job done for a variety of different projects.
SCRATCH v8 is everything a digital cinema or broadcast post artist needs for 2D and 3D productions: One comprehensive and robust end-to-end imaging tool set -- from data management to conform, color grading, versioning, compositing, playback, and finishing -- for nearly all digital workflows, including RED, ARRI, Sony F65 and F55, Canon 5D, Phantom, Go Pro and many more.
When Westfield Corporation and Los Angeles World Airports (LAWA) wanted to create promotional videos documenting the TBIT’s transformation and showcasing the new terminal, they required an L.A. based production facility that would deliver on the same level of high quality standards. They turned to Noah Clark, owner of Station22, a full service video production and post production company located in Los Angeles offering scripting, storyboarding, casting, shooting, editing, mixing, voice over, color correction and visual effects.
The Digital Cinema Society’s August event warmed up “THE GRID Los Angeles”, a 33’ x 60’ x 61.9’ staging and production space at DPS for an in-depth look at DPS Cinema’s Enhanced Environments process along with Panasonic’s VariCam35 and Codex’s new V-Raw Recorder-all in 4K.
Get a taste for the unexpected! As you may know, Emmy Award-winning Anthony Bourdain takes incredible adventures to extraordinary locations each episode on his show, "Parts Unknown" -- what you may not know is the signature flavor added by the show's colorist, Steve Beganyi. Beganyi truly does an exquisite job at creating images and landscapes in a way that makes viewers feel as if they aren't home on the couch just watching the show, but rather in Spain, Tokyo or Sicily alongside Bourdain on his adventures... even if it's just for that one hour.
Production monitors are in a period of flux. As we transition from the familiar REC709 HD signal standard into an uncertain future, the idea that there is one “standard” monitor in the broadcasting/high-end video/digital cinema production space is no longer true, if it ever was. However, there are a few models that we like, use and consistently recommend to our customers at AbelCine.