33 blog posts found matching keyword search for: Color correction in Spanaway
Chips Ahoy, Golden Grahams and Resolve: Color Correcting National Food Spots with Jalal Jemison and DaVinci Resolve
As the lead colorist at BENT Image Lab, Jalal Jemison has it pretty sweet, especially when it comes to grading commercials for Nabisco’s new Ahoy! Extras cookies and General Mills’ Golden Grahams® cereal. BENT Image Lab is a Portland, Oregon based production company and creative laboratory, known for melding art, design and storytelling. It is a place where the brightest ideas are driven with an artist’s passion and realized through the use of cutting edge technology, such as Blackmagic Design’s DaVinci Resolve 9 color correction software.
Published on Monday, March 11, 2013 1:57 PM
Colorist TAL Perfects the Balancing Act of Color Grading TBS’ ‘King of the Nerds’ with DaVinci Resolve
Due to its unique competitions and unexpected surprises, “King of the Nerds” is not your typical reality show. But that didn't deter freelance colorist Yoram Tal, better known as just Tal, from jumping aboard to color grade the series, for which he uses DaVinci Resolve.
Published on Monday, March 23, 2015 10:00 AM
Station22 Helps Showcase the Tom Bradley International Terminal Transformation with Blackmagic URSA
When Westfield Corporation and Los Angeles World Airports (LAWA) wanted to create promotional videos documenting the TBIT’s transformation and showcasing the new terminal, they required an L.A. based production facility that would deliver on the same level of high quality standards. They turned to Noah Clark, owner of Station22, a full service video production and post production company located in Los Angeles offering scripting, storyboarding, casting, shooting, editing, mixing, voice over, color correction and visual effects.
Published on Thursday, July 16, 2015 1:01 PM
Creating Crisp Images for Breaking Bad
Even though Breaking Bad has come to an end, it seems everyone is still trying to hold on. (We're one of those people.) So we decided to get an interview with the man who made sure our beloved characters always showed up crystal clear week after week, colorist, Tom Sartori.Q: As a colorist for Breaking Bad, what was a major post-production challenge you had to deal with? A: A constant challenge was to maintain stamina throughout the eight-hour session budgeted for final color. Some 500 or more shots had to be perfected within this timeframe, so the procedure, in very rapid succession, was always: identify the game plan, execute, verify color match, and then move on to the next shot.
Published on Friday, October 18, 2013 10:17 AM
Creating Social Media Spots with DaVinci Resolve 15 Public Beta
We recently spoke with Director, Editor and Creative Tony Gallardo about using DaVinci Resolve 15 Public Beta on several upcoming social media spots for Copper Gel pain reliever. For the project, Tony used DaVinci Resolve 15 extensively for editing, sound design, Fusion (to add titles) and color grading/finishing.
Published on Wednesday, August 29, 2018 10:00 AM
Review: Blackmagic's Pocket Cinema Camera
Portability meets performance with this itty bitty camera. Videographer, Bradford Hill took the Blackmagic Pocket Cinema camera for a test run, here are his thoughts on the camera's usability.
Published on Monday, March 10, 2014 1:37 PM
What Everyone Ought to Know About the Sony F55
Two years ago, Digital Brew decided to step up their game by purchasing the Sony F55 camera. Previously shooting on DSLR’s, Digital Brew did not anticipate the scale of transition that came with investing in the new equipment, but knew they’d be getting a quality product that produces quality content. Let’s see what Emmy award winning Director of Photography, F55 owner and Digital Brew’s President, Michael Cardwell has to say about the Sony F55.
Published on Tuesday, May 5, 2015 9:28 AM
RED Dragon Visual Lens Comparison for Directors
by featured blog contributor, Jeremy PinckertSometimes when I’m in the thick of pre-production on a new television advertising spot, I’m tempted to put all of my emphasis on the obvious questions: Who will be the cinematographer? What camera system will we use? What casting decisions need to be made? Who the hell can convert my scribbles into a real storyboard?There’s a step often left out of the above question process, but one that, as a Director or Producer, does have a significant effect on your picture. In fact, this step is the first point of contact between the enigma of a performance and the camera.
Published on Monday, June 16, 2014 8:08 AM
In Review: URSA Mini Pro 4.6K DaVinci Resolve Micro Panel
As we start winding towards the dog days of summer, I was recently given the opportunity to get in front of the URSA Mini Pro 4.6K and the DaVinci Resolve Control Panel. This was a new and different approach to looking at products that come through the doors at ProductionHUB. Normally we might get a camera or lighting kit but to get two production/post production related products together was cool. As a production professional (like many of you) I am always looking at the budget and ways to control costs. So the idea of being able to upgrade in the field and enhance the post-production suite without crushing the budget was enticing to say the least. But before I get there, lets take a look at where production always has to start. It starts with the camera of course.
Published on Thursday, August 10, 2017 11:00 AM
NAB 2017 Awards of Excellence Winners Take Center Stage
So before we get to our illustrious winners, I think providing a little background is in order. When the ProductionHUB team set out to chose our Award of Excellence Winners it seemed like such a simple task. Slam dunk, 1, 2 3. Hour to pick the winners tops right? That would be such a resounding NO. Everyone (including me) in that room fought tooth and nail to do one thing. That one thing was to get it right. So after a lot of arguing, persuading, and flat out shouting at each other we had our list. Wasn’t easy or very pretty but when the dust settled there it was. There was so many solid products out there, and I won’t lie we all had our own favorites. But that didn’t matter. So,some four arduous hours later we were done. Best of the best. Let’s go!
Published on Monday, May 8, 2017 9:00 AM
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