11 blog posts found matching keyword search for: Concert Crew in Glendale
Being Freelance: Advice and Tips from a Freelancer Cameraman and Director
Graham Nolte, a DP (and so much more), shares tips and advice he’s learned from freelancing:
Published on Wednesday, August 19, 2015 11:08 AM
5 Ways to Save Time & Be Productive on Set
If you’ve been working in production for one year or ten, you know how frustrating (and expensive!) it can be for a shoot to run over the production schedule. It can happen for a million reasons: wardrobe not fitting, makeup taking longer than people thought, batteries dying or gear getting lost. It’s easy to hope for a perfectly run set, but it’s harder to actually pull it off. In order to cultivate a positive environment where everyone is working efficiently and prevent production delays, here are five things we practice on Mighteor sets that we recommend to everyone:
Published on Monday, June 27, 2016 11:05 AM
5 Reasons Why You Should Be Looking at Wireless At-Home Production
What if you could produce more live videos without incurring the expense and hassle associated with sending entire production crews and trucks to every venue? And what if you could do that without sacrificing video quality or reliability? The wireless at-home production model allows you to do just that. At-home production is changing the way you can execute live events. Here’s how:
Published on Wednesday, August 16, 2017 10:30 AM
Catching Up With AGT’s Award Winning Lighting Designer, Noah Mitz
Since its creation in 2006, many different skills have been showcased on NBC’s “America’s Got Talent.” While the majority of winners have been singers and musicians - acrobats, ventriloquists, mentalists, magicians, choirs, comedians, dancers, and countless other acts have also graced the AGT stage which has called Hollywood’s iconic Dolby Theatre home for the last three seasons, each supported by a specialized creative team.
Published on Monday, November 26, 2018 11:28 AM
WOMEN TO WATCH: POWERFUL WOMEN IN THE PRODUCTION INDUSTRY MAKING A SIGNIFICANT IMPACT
The production industry is always evolving, from new ways to film to breakthroughs in production technology, with many women spearheading initiatives that impact the industry and set changes in motion. For the second year in a row, we are thrilled to present a few of our favorite "Women to Watch" — women who are constantly inspiring and reaching new ceilings in an industry that was previously male-dominated.
Published on Monday, March 12, 2018 10:00 AM
Creatives Behind Panic! At the Disco's "Dancing's Not a Crime" Video Talk working with Blackmagic Design
The latest music video from Panic! At The Disco titled “Dancing’s Not A Crime” was shot on the URSA Mini Pro and Blackmagic Pocket Cinema Camera 4K using Blackmagic RAW. The video, shot by music video veteran Brandon Dermer, has become one of the fastest watched videos in the world and supports the bands hugely popular “Pray for the Wicked” world tour.
Published on Friday, June 7, 2019 10:00 AM
In Review: SlingStudio
In a nutshell, SlingStudio is a complete professional multi-camera solution in a backpack. All of the tools provided for our review fit neatly into one regular size backpack. Of course, if you are using full-size cameras and tripods that might make for a pretty big backpack.
Published on Thursday, August 8, 2019 10:00 AM
Spotlight: Sports Broadcaster Mark Butler Uses Calrec Audio for Major Projects
In his sports broadcasting career, he has mixed every major sport and traveled all over the world doing it. He worked on the Fox NFL pregame show in Kabul Afghanistan, which he mixed on a Calrec Zeta. He has worked six Olympics (most for NBC), 17 Super Bowls, five World Series, two Stanley Cups, Cricket matches, NASCAR, Indy Car Racing, Goodwill Games in Russia, Great Outdoor Games, X Games, Golf’s U.S. Open, PGA Championships and 25 consecutive years of MLB and NFL games.
Published on Thursday, September 6, 2018 10:00 AM
In Review: SlingStudio, A Whole New Perspective
When I was first approached about doing a product review for SlingStudio (owned by DISH), I was pretty skeptical. What would a huge company known for delivery content know about creating content? But I digress. I come from the traditional sit behind the switcher in the truck produce and punch the show or game. You get it. Big setups, lots of presets and time. Then it dawned on me that multicamera (multi-source) is mostly the same however you approach it. It's really all about scaling your production plan to the scale of the production and what is it that you want your audience to see and experience.
Published on Monday, December 18, 2017 10:00 AM
5 Essential Questions Producers Should Ask Drone Operators
Here’s a HUGE issue that my contemporaries and I see all too often. Productions just know that they “need a drone” and lump all UAV’s into the same category. Now pay attention class because this is important: What you need is a skilled and licensed pilot/company that has the correct camera/drone/team combination for your production.
Published on Wednesday, October 3, 2018 10:00 AM
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