30 blog posts found matching keyword search for: Concert Production in Kentucky
With in-person concerts on hiatus, Grammy-nominated rock band Underoath turned to Odd!Life Studios to help produce a live streamed concert series so fans could enjoy their music while at home. Creating an immersive experience that was equal parts performance art, the concert series (“Underoath: Observatory”) consisted of three concerts over the course of three weeks, with each concert covering one of Underoath’s albums in its entirety. Cinematographer, Director and Producer Lief Thomason from Odd!Life Studios spoke exclusively to us about what it took to successfully pull off the concert series, including how using a Blackmagic Design workflow powered by four Pocket Cinema Camera 6Ks, an ATEM Mini Pro, ATEM 2 M/E Production Studio 4K and ATEM 1 M/E Broadcast Panel helped them get everything done within their tight two week turnaround time.
The production industry is always evolving, from new ways to film to breakthroughs in production technology, with many women spearheading initiatives that impact the industry and set changes in motion. For the second year in a row, we are thrilled to present a few of our favorite "Women to Watch" — women who are constantly inspiring and reaching new ceilings in an industry that was previously male-dominated.
Expanding and enhancing the fan experience at the game has long been a goal of sports stadiums and arenas. From over-the-top, wrap-around video displays to AI driven robotic cameras or the latest display monitors, today's fans don’t want to miss a thing.
What if you could produce more live videos without incurring the expense and hassle associated with sending entire production crews and trucks to every venue? And what if you could do that without sacrificing video quality or reliability? The wireless at-home production model allows you to do just that. At-home production is changing the way you can execute live events. Here’s how:
Over the last decade, video content collaboration has undergone massive changes, thanks in large part to shifts in how, when, and where we work. Previously, most video production team members saw each other daily. They enjoyed impromptu project reviews and remained relatively on the same creative page. Though miscommunications still happened, issues could be identified and resolved rather quickly because everyone was in one room.
The Super Bowl Halftime production is simply like no other. Imagine taking most of your tried and true production practices and chucking them out the window. You know, things like days to set up, rehearse, tweak cameras and lighting and all of those good “normal” practices that you have done for years.
As I mentioned in our first Pivot Point, smart production companies are moving incredibly fast to shift from the “traditional” production model. This shift has forced companies to evaluate and change plans on the fly. One such company is Events United located in Manchester, New Hampshire. We caught up with the crew while they were catching their breath and getting ready for their next production.
We recently spoke with director Alex Horwitz (“Hamilton's America”) about a few of his recent projects, including Bon Jovi’s concert documentary “On A Night Like This” and the “Unbroken” music video featuring the Invictus Games choir.
We're taking it back to Sundance Film Festival with an exclusive interview with DP John Behrens, on the film Amy Tan: Unintended Memoir, the biopic of well-known, best-selling author Amy Tan. The film was also directed by the late Robert Redford and explores the evolution of Tan's relationship with her mother.
Adding music to a film can add power and interest to the production. And when the music is an integral part of the story, the power is multiplied. Filmmakers, creative editing company editors and sound engineers need to work together to realize the full advantages of using music in their film.