12 blog posts found matching keyword search for: DIT in Newport Beach
Do you know how to light when shooting at up to 80,000 frames per second?Learn from Matt Drake and his DP Matt Novello, the team behind Bullet Theory Films. They recently shot a commercial for Sinter Fire Bullets’ frangible ammo. The team wanted to avoid using CGI effects, so they chose to shoot with the Phantom v711 at extremely high frame rates (up to 80,000 fps) to capture the live bullets.
SmallHD, known for compact, full HD on-camera monitors is giving away a free set of color grades that recreate the unique look of seven different iconic films, and are also publishing multiple video tutorials explaining how to get the most out of these looks during both production and post production-all 100% free of charge to anyone who wants to download them.
Production monitors are in a period of flux. As we transition from the familiar REC709 HD signal standard into an uncertain future, the idea that there is one “standard” monitor in the broadcasting/high-end video/digital cinema production space is no longer true, if it ever was. However, there are a few models that we like, use and consistently recommend to our customers at AbelCine.
As any good DP already knows, it’s important to be able to step outside your comfort zone. If you trust your instincts and have flexible gear that you can rely on to support new workflows, these challenges can quickly become opportunities to expand your horizons. It’s just what DP Vance Burberry did at the 2017 iHeartRadio Music Awards, which took place on March 5th at The Forum in Inglewood, California. Vance and his team were tasked with shooting live pre-show and red carpet footage for promos, which aired in near real-time.
by Barry AnderssonRecently Canon announced the latest firmware update for the 5D Mark III camera (Version 1.2.1). The exciting new feature here for video is the clean HDMI out on the camera that allows you to record the signal to an external recorder. The clean HDMI out sends the video feed over the HDMI cable without any of the menus or markings so it can be recorded and used for your edit. I chose the Atomos Ninja 2 external recorder to use on two of my recent productions and it works like a charm. The HDMI feed goes directly into the recorder and is recorded onto a SSD drive. If you have primarily been using DSLR cameras SSD drives may be new to you. They are solid state drives that are about the size of an iPhone. If this is your first time using SSD drives there are a few things you should know. You need an adapter or device to connect to your computer. There are two that I have really been liking.
by Katrina DiamondThe panel kicked off with a 5-min. montage of great movies, then dived right into questions. This ‘The State of the Crafts’ session at NAB was a panel of the following speakers:* Richard Crudo, ASC - Vice President * Stephen Lighthill, ASC President, “The Spirit of ‘76”, “Earth 2”, “Nash Bridges” * Dean Cundey, ASC * David Mullen, ASC, “Northfork”, “Smash”, “Big Sur”
I was lucky enough to serve as the technical advisor on AbelCine’s Behind the Lens project, a web series looking at 11 professional zoom lenses covering the indispensable 3x wide-to-tight range, perfect for handheld shooting in run-and-gun documentary situations. New York-based cinematographer Matt Porwoll graciously agreed to helm Behind the Lens: A Look at Documentary Zooms, which launched in April. We just posted the final episode in the series and wanted to look back and highlight some key findings about each lens.
From Rawson Marshall Thurber, the writer/director of Central Intelligence and We’re the Millers, comes the YouTube Red comedy series, Ryan Hansen Solves Crimes on Television*. In the genre-bending show, the LAPD creates a task force that partners actors with detectives. The series was shot by cinematographer Charles Papert (Mary + Jane, Key and Peele) with VariCam LT cinema cameras.
Did you think I was all done with lenses in my 2018 NAB Preview Part One? Not even close. There are just so many great lenses out there to talk about that there always room for more. Before I get to the cameras, here are a few more of the excellent lenses that you will want to see.
By now, I hope you are figuring it all out. 2018 NAB is going to be too much of a good thing. Isn’t that great? There's just so much to see and hear about all of the new gear and the great people that make it all happen. For some of us, it' like being the kid in the candy store. But before I get carried away, let's get down to business.