98 blog posts found matching keyword search for: DP in Waltham
Exclusive Interview: DP Paul Cameron Talks The Commuter & What to Expect with Pirates of the Carribean: Dead Men Tell No Tales
If you loved the pilot of Westword, there is plenty more blockbuster magic to come from DP Paul Cameron. He talks in an exclusive interview with ProductionHUB, about the current film he's shooting, The Commuter, and provides a sneak peak into what to expect from the newest installament of the Pirates' franchise, Pirates of the Caribbean: Dead Men Tell No Tales.
From Rawson Marshall Thurber, the writer/director of Central Intelligence and We’re the Millers, comes the YouTube Red comedy series, Ryan Hansen Solves Crimes on Television*. In the genre-bending show, the LAPD creates a task force that partners actors with detectives. The series was shot by cinematographer Charles Papert (Mary + Jane, Key and Peele) with VariCam LT cinema cameras.
The release of full frame cameras like ARRI's LF, RED’s Monstro, Canon’s C700 and Sony’s VENICE has made it clear that the future of cinema is headed toward larger sensor sizes. Of course, we have been shooting full frame video ever since the Canon 5D Mark II. But it’s only recently that high-end cinema camera manufacturers have brought larger sensor cameras to the market.
Graham Nolte, a DP (and so much more), shares tips and advice he’s learned from freelancing:
Some of the most difficult projects to work on as a DP are the ones where objects are moving at very fast speeds. Go To Team’s experienced Director of Photography Roger Woodruff has tackled some pretty incredible high-speed shoots. His project resume includes NASCAR, INDYCAR, Major League Soccer (MLS), and downhill skiers.
ARRI Academy offers a wide range of training courses to help users of all abilities to gain hands-on knowledge of ARRI products and workflows and build their on-set confidence. We sat down with Art Adams, and experienced camera operator and DP, to talk about the upcoming ARRI Academy crash course he's teaching.
DP, Tim Arasheben gives us an inside look at what it's like to shot with Canon's 50-1000mm lens on set on the short film, “Connections." Learn the pros and cons of the lens, along with info about the short and what projects Arasheben has set for the future.
Once upon a time, Joshua Csehak quit his advertising job, bought a 7D, and launched his new career in freelancing. Now it's five years later and after working as the DP for an O2COOL spot, he's here to discuss the spot, its creative development, and the qualities a corporate video needs to come out on top.
Last month, there was an amazing focus on female filmmakers at Sundance — 42% of the directors showing films were female! Of those films, DP Kristy Tully who worked on RAISE HELL: The Life And Times of Molly Ivins tells the story of media firebrand Molly Ivins.
As any good DP already knows, it’s important to be able to step outside your comfort zone. If you trust your instincts and have flexible gear that you can rely on to support new workflows, these challenges can quickly become opportunities to expand your horizons. It’s just what DP Vance Burberry did at the 2017 iHeartRadio Music Awards, which took place on March 5th at The Forum in Inglewood, California. Vance and his team were tasked with shooting live pre-show and red carpet footage for promos, which aired in near real-time.