131 blog posts found matching keyword search for: Director of Films in Winter Garden
My name is Eli Hershko and I am a photographer turned cinematographer turned director. It was a natural progression for me. I always was drawn to the moving images. I love being involved in the making of movies but I do not tend to shoot my own films. I just can't focus on both the actors and the image at the same time and since they both are equally important in my eyes I tend to look to a cinematographer that can take on the heavy toll of putting my story on film... or digital film in my case.
above: Chicago-based AD Stephanie Clemonsby featured blog contributor, Jeremy PinckertAs the Velvet Underground famously sang, “I’m Beginning to See the Light.” Or at least a recent project I was slated to Direct forced me to turn my eyes even more towards a light to which I’ve already been headed. Irregardless, now that I’ve had a look? I ain’t ever going back. Our client, Go RVing, needed a wide-range of marketing video content for Broadcast and Web use, and they brought me in to direct a 4-day shoot on Michigan’s West Coast. The first day was all interviews with actual users telling their unscripted stories to camera. The second and third days involved shooting eight different scenic broll situations with 20+ talent members in various camping situations. The fourth day was a practice in planning, logistics, and highway patrol as we shot seven vehicles on a large stretch of a US highway, through rolling vineyards and driving on wooded country roads.
Every winter in Utah, the Sundance Film Festival becomes the ultimate gathering of original storytellers and audiences. The festival includes dramatic and documentary features and short films; series and episodic content; and New Frontier, showcasing emerging media in the form of multimedia installations, performances, and films. When you attend Sundance, you can expect to attend daily filmmaker conversations, panel discussions, and live music events.
On February 24, 2019 at the Dolby® Theatre in Hollywood, many outstanding achievements were recognized at the 91th Academy Awards ceremony. ARRI would like to thank the Academy for demonstrating that art is more important than ratings!
What makes a great horror film? Suspense, eerie music, dim lighting... the list can go on and on. Orange St. Films, a full-service, video production company started in 2008, with clients all over the world, has perfectly executed horror with the latest film - The Terrible Two. Writer/Director Billy Lewis took us behind-the-scenes of how Orange St. Films put together a production, from everything to location, production crew, casting, and even promotion.
Sundance (January 24 - February 3) is well underway in Utah with tons of multimedia installations, performances and films. ProductionHUB caught up with a few DPs from featured Sundance films to talk about their projects, inspirations and the road to Sundance.
During the Band Pro Film & Digital One World Open House in Burbank, California, Italian Film Director, and master of Italian-Western cinema, Enzo G. Castellari shares his experiences and work over the years. If you don’t already know, he became famous during the 1960's by directing several spaghetti westerns such as Go Kill and Come Back (1967), One Dollar Too Many (1968) and more. In this interview Castellari elaborates on how he got started in the business, along with his inspirations and thoughts on the differences between shooting on film vs. today's current digital technology.
On the heels of Sundance and SXSW, Adobe Premiere Pro made a splash at Tribeca and supporting filmmakers. ProductionHUB exclusively talked to the editors behind American Factory, This is Not Berlin, CRSHD and STORM – a few spotlight examples amongst the dozens of films that used Premiere Pro at the festival, exemplifying Adobe’s commitment to the filmmaking community and ongoing mission to build innovative post-production tools that help filmmakers tell one of a kind stories.
Colorist Samuel Gursky from New York-based post house Irving Harvey discusses his work on four different projects from SXSW 2018. By using the DaVinci Resolve Studio and a DaVinci Resolve Micro Panel for the projects’ color grading and final conform, he was able to get the job done for a variety of different projects.
Graham Nolte, a DP (and so much more), shares tips and advice he’s learned from freelancing: