48 blog posts found matching keyword search for: Driving in Georgia
by Nina StreichModerator: Mike Green, Senior Director, Strategy & Development, ComcastPanelists: Eric Hybertson, Director, Rendering Devices, Time Warner Cable Glen Stone, Convergence Strategy and Standards, Samsung Electronics America Michael Bishara, VP/GM TVE, Synacor Damon Phillips, Vice President, WatchESPN & ESPN3
Whilst computer-generated special effects and stunt driving make for impressive watching, remote-controlled vehicles allow filmmakers to push the boundaries of what is possible to create bigger, bolder and more elaborate scenes.
With “disruption” being used as common vernacular to describe the television industry, how do content creators, advertisers and consumers move through this ever-changing environment? Is it streaming services driving micropayment models or gaming box aggregators letting us choose multiple services to consume? How will content consumption be impacted with a la carte behavior models driving the audience to new personalized viewing solutions? Who’s got the straight dope on this trend (if it even IS a trend yet)? Our panel does, and they share it with you in a “must see” session!
Recently, I had the opportunity to sit down and talk with two of the driving forces in the drone segment: Drone Coalition co founders Scott Gentry and Jeff Foster. On this sweeping interview they provide some key insights and a few surprises in what they think is going on in the drone world right and in the future.
From running around as a kid with a 35mm black and white camera, to renting a camper van and driving through New Zealand for a month while I took pictures of all my surfing adventures, I have always wanted to take my love of nature, people, humanity and technology and bring them together.
Large and unstructured data, such as that obtained with video, is often 50 times larger than the average corporate database. This “unstructured” data is projected to surpass 100 Zetabytes worldwide by 2020. Out of the several influencing factors driving this trend, the fact that content resolutions are rapidly rising is fuelling this growth even further. Not only is 4K going mainstream, but 8K and high dynamic range (HDR) content are becoming a more likely choice for a variety of applications such as corporate video, sports, and VR/AR.
COPA90 is the largest independent football media business in the world, reaching over 100 million people across a multitude of online platforms and social media channels. With a unique brand of fan-centric content, COPA90 has become the hub for a global football-obsessed youth culture that is driving the exploding popularity of the sport. According to the Nielsen World Football Report released just before the 2018 World Cup in Russia, “the global reach of football, or soccer, is unequalled among sports in terms of value to media and sponsors.”
Growing up in Colorado sports was always a big part of my life and so was the naturally beautiful and rugged landscape. In fact some of my first memories were driving with my Dad and suddenly pulling the car over to capture an amazing sunset or the wind blowing the snow off the side of a 14k foot peak, perfectly backlit. I developed an appreciation watching for the moments where beautiful light hit the mountain or the river just right.
Producing corporate videos is a means of driving revenue and telling stories that is still the backbone of many businesses worldwide. There is often the need to show new employees what they will be doing on the job, produce company profiles that have a mission statement and proposition or create a slick one-off video to highlight a new product or service. Broadcast and online commercials are two of the ways in which corporations convey their image to potential customers, and let them know about their services. Event documentation videos can give the viewer an exciting first-person view of a large trade show, or other informational conference. These are just a few of the ways in which companies can reach out to the world, but when you are creating content like this, there are plenty of mistakes you can make along the way.
above: Chicago-based AD Stephanie Clemonsby featured blog contributor, Jeremy PinckertAs the Velvet Underground famously sang, “I’m Beginning to See the Light.” Or at least a recent project I was slated to Direct forced me to turn my eyes even more towards a light to which I’ve already been headed. Irregardless, now that I’ve had a look? I ain’t ever going back. Our client, Go RVing, needed a wide-range of marketing video content for Broadcast and Web use, and they brought me in to direct a 4-day shoot on Michigan’s West Coast. The first day was all interviews with actual users telling their unscripted stories to camera. The second and third days involved shooting eight different scenic broll situations with 20+ talent members in various camping situations. The fourth day was a practice in planning, logistics, and highway patrol as we shot seven vehicles on a large stretch of a US highway, through rolling vineyards and driving on wooded country roads.