300 blog posts found matching keyword search for: Editing in Alaska
Supervising Sound Editor Mandell Winter has supervised sound editing and mixing teams for Apple's Defending Jacob, HBO's Outsider, & Quibi's #FreeRayshawn. Mandell received two Emmy nominations last year for his work on HBO's Deadwood: The Movie and Season 3 of HBO's True Detective. Additionally, in 2019 he received two MPSE Golden Reel Award nominations for True Detective, a third for Deadwood, and a fourth for What's My Name: Muhammad Ali. He talked exclusively to ProductionHUB about how COVID has altered his day-to-day, breaking into the industry (accidentally!) and what film made him tear up.
COVID-19 has changed many aspects of our industry, but one of the most far-reaching is the boost it has given to interest in cloud editing technologies. Cloud-based editing was always going to prove popular — the flexibility it confers at a low opex cost is a compelling argument all on its own — but the pandemic has accelerated adoption dramatically.
G2 Crowd, the world’s leading business software review platform, recently released a report around video editing software. After analyzing more than 200 user reviews of eight different video editing products (Adobe Premiere Pro, Final Cut Pro X, iMovie, Avid Media Composer, DaVinci Resolve, Edius Pro, Sony Vegas Pro and HitFilm4Pro), trends emerged around what features need improvement, as well as features that are key positives in the video editing processes.
Video editing is a time consuming process and to edit something good you'll need someone with experience, decent footage and creativity. Anyone can edit shots to a piece of music and upload it to social media but once you want to tell a story and keep peoples attention, you'll need to consider a few things when planning your video edit. When it comes to media production in this day and age there is no right or wrong, just ones that end up good and ones that end up bad.
Director and editor Todd Douglas Miller sifted through NASA’s archives and used Adobe Premiere Pro to piece together the story in a way that has captivated audiences. He takes viewers back in time to the center of the excitement with perspectives from Mission Control, the astronauts, and the many spectators who watched the historic launch. Todd received the Sundance U.S. Documentary Special Jury Award for Editing and he spoke with ProductionHUB.
A 2001 graduate of Full Sail University, Frank Scheuring has worked in sound for television and film for nearly 15 years. During that time he has been a part of over 1,300 programs for clients such as Discovery, the National Geographic Channel, FOX, TLC, PBS, G4TV, the Smithsonian Channel, and a slew of independent directors and producers. In addition to his long form work, he has worked on hundreds of commercials and marketing videos for clients such as the Washington Capitals, Washington Wizards, Pfizer, Ford, and many political candidates. In 2014 Frank stepped into the world of producing with a TV series pilot called "Speed Freaks: The Science of Speed" and in 2015 produced his first feature length documentary, "Blood and Steel: Cedar Crest Country Club".
HBO Documentary Films’ The Lady and The Dale, a four-part documentary series from Emmy®-winning producers Mark and Jay Duplass (HBO’s “Room 104”) and directed by Nick Cammilleri and Zackary Drucker, traces the audacious story of Elizabeth Carmichael, a larger-than-life entrepreneur who rose to prominence during the 1970s oil crisis with her promotion of a fuel-efficient, three-wheeled car known as The Dale. At a time when three big American automobile manufacturers ruled the road, Liz launched a futurist vehicle that promised to get 70 miles to the gallon. Her promotional zeal thrust her into fierce public and media scrutiny which uncovered a web of mystery and suspicion about the car’s technology and her own checkered past. The Lady and The Dale is a probing exploration of family and identity seen through the lens of the rise and fall of a fearless and wily innovator, an extraordinarily resilient woman and a dedicated parent.
SXSW announced Editor Lam Nguyen the winner of the second annual Adobe Editing Award for his editorial work on R#J. Lam utilized Premiere Pro, After Effects, Illustrator, and Photoshop to cut a modern Romeo & Juliet tale in the innovative "Screenlife" format (which has been used on films like Searching and Unfriended). We got the chance to speak with Lam about his work or learning more about Adobe’s work with SXSW to celebrate the art and craft of editing.
Jeff Boyette, Editor of Amy Tan: Unintended Memoir, Shares Editing Secrets + Being Featured at Sundance
Sundance Film Festival, which took place January 28 - February 3, included 73 feature films, hosted by actor and comedian Patton Oswalt, with jurors presenting 24 prizes for feature filmmaking and seven for Short Films. In our latest Sundance interview, we talked to Jeff Boyette, Editor of Amy Tan: Unintended Memoir, about his editing process and what it's like being featured at Sundance.
Introducing Dialogue Match: iZotope's Brand New Tool That is Revolutionizing Dialogue Editing and ADR Workflows
Dialogue Match is a Pro Tools AudioSuite tool intended for re-recording mixers who deliver the final sound mix for films and television programs. For decades, these mixers have had the tedious job of matching dialogue from lavalier, boom mics, and ADR in order to create a seamless and cohesive dialogue performance. This long and work-intensive process takes valuable time away from crafting the sound of a scene and producing a final mix. Using machine learning, Dialogue Match reduces this process to seconds, making it the first tool to automatically learn and match the reverberant character of dialogue recordings.