260 blog posts found matching keyword search for: Editing in Rhode Island
Enhancing Filmmaking Through Sound Editing
Supervising Sound Editor Mandell Winter has supervised sound editing and mixing teams for Apple's Defending Jacob, HBO's Outsider, & Quibi's #FreeRayshawn. Mandell received two Emmy nominations last year for his work on HBO's Deadwood: The Movie and Season 3 of HBO's True Detective. Additionally, in 2019 he received two MPSE Golden Reel Award nominations for True Detective, a third for Deadwood, and a fourth for What's My Name: Muhammad Ali. He talked exclusively to ProductionHUB about how COVID has altered his day-to-day, breaking into the industry (accidentally!) and what film made him tear up.
Published on Wednesday, June 24, 2020 10:00 AM
A Peek into User Opinions Regarding Video Editing Software with G2 Crowd
G2 Crowd, the world’s leading business software review platform, recently released a report around video editing software. After analyzing more than 200 user reviews of eight different video editing products (Adobe Premiere Pro, Final Cut Pro X, iMovie, Avid Media Composer, DaVinci Resolve, Edius Pro, Sony Vegas Pro and HitFilm4Pro), trends emerged around what features need improvement, as well as features that are key positives in the video editing processes.
Published on Tuesday, April 5, 2016 11:13 AM
Director and Editor Todd Douglas Miller Talks Editing Apollo 11
Director and editor Todd Douglas Miller sifted through NASA’s archives and used Adobe Premiere Pro to piece together the story in a way that has captivated audiences. He takes viewers back in time to the center of the excitement with perspectives from Mission Control, the astronauts, and the many spectators who watched the historic launch. Todd received the Sundance U.S. Documentary Special Jury Award for Editing and he spoke with ProductionHUB.
Published on Wednesday, October 9, 2019 10:02 AM
Q&A: Hall of Famer Frank Scheuring Talks the Art of Sound Mixing & Editing
A 2001 graduate of Full Sail University, Frank Scheuring has worked in sound for television and film for nearly 15 years. During that time he has been a part of over 1,300 programs for clients such as Discovery, the National Geographic Channel, FOX, TLC, PBS, G4TV, the Smithsonian Channel, and a slew of independent directors and producers. In addition to his long form work, he has worked on hundreds of commercials and marketing videos for clients such as the Washington Capitals, Washington Wizards, Pfizer, Ford, and many political candidates. In 2014 Frank stepped into the world of producing with a TV series pilot called "Speed Freaks: The Science of Speed" and in 2015 produced his first feature length documentary, "Blood and Steel: Cedar Crest Country Club".
Published on Wednesday, May 18, 2016 12:00 PM
Introducing Dialogue Match: iZotope's Brand New Tool That is Revolutionizing Dialogue Editing and ADR Workflows
Dialogue Match is a Pro Tools AudioSuite tool intended for re-recording mixers who deliver the final sound mix for films and television programs. For decades, these mixers have had the tedious job of matching dialogue from lavalier, boom mics, and ADR in order to create a seamless and cohesive dialogue performance. This long and work-intensive process takes valuable time away from crafting the sound of a scene and producing a final mix. Using machine learning, Dialogue Match reduces this process to seconds, making it the first tool to automatically learn and match the reverberant character of dialogue recordings.
Published on Monday, November 11, 2019 10:00 AM
Conversation with A Storyteller
by Michael Valinsky After initially meeting at Manhattan Edit Workshop's Inside the Cutting Room event, we followed up to talk further with Emmy-Award winning editor Arielle Amsalem at Third Rail Coffee in Greenwich Village, NYC. One of the most promising up-and-coming documentary editors today, we had the opportunity to ask her a whole range of questions. Here's our fully-caffeinated interview.
Published on Wednesday, November 13, 2013 1:00 PM
Interview with Emmy Nominated Editor on Mrs. America
Editor Robert Komatsu just received an Emmy nomination for editing the pilot episode of Mrs. America titled "Phyllis." Aside from this nomination, Mrs. America received nine other Emmy nominations for Outstanding Limited Series, Outstanding Lead Actress in a Limited Series or Movie (Cate Blanchett), Outstanding Supporting Actress for a Limited Series or movie (Tracey Ullman, Margo Martindale, Uzo Uduba), among others.
Published on Wednesday, August 26, 2020 10:00 AM
5 Remote Tips for Colorists
Color is one part of the creative process that has distinct advantages to being completed in person. Typically, you’re working with the original footage, which can be quite large and hard to transfer over the internet. If you’re the client, it’s best to see exactly what the colorist is seeing. If you’re the colorist, you definitely want your client approving the color on your color calibrated monitor.
Published on Monday, June 22, 2020 10:43 AM
Part 1: Tips for Working with a Remote Editor
In the past there have been many good reasons why someone might choose to hire or work with a remote editor, however during the time of Covid-19 it’s become more of a necessity. If you’re planning on working with an off-site editor, there are some things you can do that will:
Published on Monday, August 3, 2020 10:00 AM
7 Tips in Transitioning Your Production to Remote Work
The year 2020 presented itself with a different face. One that most of us never anticipated. The pandemic has forced us into a new reality. A lot of team leaders are beginning to realize that the answer to surviving in this new world is ‘flexibility’ – a break from the traditional way of doing things. You would want to know how to boost productivity while working remotely, even when you’re in the film/TV production industry.
Published on Friday, June 12, 2020 10:00 AM
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