47 blog posts found matching keyword search for: FX in Nevada
R-rated superhero movie, Deadpool, heated up the big screen last month, captivating viewers and fans of the comic book character, whose dark, twisted sense of humor takes him on a search to find the man who nearly destroyed his life. Rodeo FX, a team of creative, passionate people, devoted to VFX, had an extraordinary hand creating outstanding special effects. The studio, led by VFX Supervisor, Wayne Brinton, worked on complex sequences that included grotesque skin alterations, fire, set alterations and more. Wayne talked to ProductionHUB about the process, how he transformed Wade, and the ideas he brought to the table for the film.
When it comes to creating realistic horror and special effects makeup, it's extremely important to keep the character's story and existing physical features in mind. Try using these tips to help bring more realism to your FX makeup.
What do major blockbuster movies like Hunger Games, Oz: The Great and Powerful, MIB III, Alice in Wonderland and numerous movies you dished money out to see all have in common? Not only amazing visual effects, but the specific VFX skills of Christian Boudman, with Clearcut FX.Learn how Boudman climbed the VFX ladder of success, and created his own rules right onto the big screen.
Editor Todd Downing was ACE-nominated for his work last year on Russian Doll season one. This year he has put his incredible talent into three episodes of the intriguing FX limited series, Mrs. America.
Creating shows like The Office, It's Always Sunny in Philadelphia and Wilfred doesn't come easy, but getting first hand knowledge from director, Randall Einhorn helps us see what it'd be like to work on the set of shows we'd only dream of holding a camera on. Learn how this prime-time Emmy nominated pro landed the job, along with his must-have piece of equipment and sound advice most any production pro should take to heart.
Special Makeup Artist Antonina Henderson is making a name for herself in the industry by creating elaborate creatures and transforming talent for film, TV and live events. The one-time U.S. Army firefighter turned artist found her calling in college and has since turned her passion into a blossoming career.
It's the time of year when zombies roam the streets and ghouls appear on your doorstep. Makeup and special FX artist, Danielle Wolf is no stranger to these creepy characters... she brings them to life! See how she got her start in the biz and why she loves the art of creating eerie looks.
Cannes Lions Winning Editor Ernie Gilbert Talks Creative Strategy Behind 'This is America' Music Video
Director/Editor Ernie Gilbert has a pretty outstanding track record when it comes to his stint in the industry — including assistant editing on Emmy, Golden Globe and Peabody award-winning shows like Baskets (FX), Atlanta (FX), and Barry (HBO). He has also worked with some of the largest ad agencies in the world and brands like Jordan, DirectTV, Banana Republic, Reebok, American Eagle and Fox Sports. In addition to his film work, he has edited music videos for the likes of John Legend, Trippie Red, 2 Chainz, Schoolboy Q, Linkin Park, Portugal the Man and Shawn Mendes. In 2018, Ernie was nominated for a VMA for best editing on Childish Gambino's "This is America," which has over 500 million YouTube views.
ALIBI's robust, versatile and expertly curated catalog features music and FX produced, structured and crafted for storytelling and is available to license for advertising, trailers, promos, programming, video games, all other forms of multimedia content. Founder/Executive Producer Jonathan Parks talks about how ALIBI Music Library got started and the future of the company.
Nike’s latest spot is proof that when circumstances force you to take a new approach, you can create something even better. It was produced using archival footage, voiceover, and top-notch copy. That’s the magic of creativity! It takes you on unexpected journeys where obstacles can become gifts. I talked to Shawna Schultz of Mass FX Media, the motion design and animation lab based in Denver, about how production houses can help clients meet their goals in light of the limitations COVID-19 has imposed on them. This is when we earn the title of a creative, right? We also talked about the skills video professionals and production houses can add to their toolbox if they want to start offering animation.