5 blog posts found matching keyword search for: Facial Motion Capture in Duluth
Motion Capture and Game Animation Meet MMA
As a pro wrestler, powerlifter and heavyweight MMA champion, Paul Lazenby pulls no punches on the motion capture volume. From his character portrayals in Gears of War to stunt work for Deadpool 2, Paul has become one of the most prominent performers at Animatrik Film Design – the largest independent motion capture facility in North America.
Published on Monday, January 14, 2019 10:00 AM
RED Dragon Visual Lens Comparison for Directors
by featured blog contributor, Jeremy PinckertSometimes when I’m in the thick of pre-production on a new television advertising spot, I’m tempted to put all of my emphasis on the obvious questions: Who will be the cinematographer? What camera system will we use? What casting decisions need to be made? Who the hell can convert my scribbles into a real storyboard?There’s a step often left out of the above question process, but one that, as a Director or Producer, does have a significant effect on your picture. In fact, this step is the first point of contact between the enigma of a performance and the camera.
Published on Monday, June 16, 2014 8:08 AM
The making of Justice League: A fully-CG Supervillain
Warner Bros.’ much anticipated Justice League movie sees DC’s most famed heroes join forces – Batman, Wonder Woman, Aquaman, Cyborg and The Flash — to take down the film’s Big Bad, supervillain Steppenwolf.
Published on Friday, December 1, 2017 10:18 AM
In Review: URSA Mini Pro 4.6K DaVinci Resolve Micro Panel
As we start winding towards the dog days of summer, I was recently given the opportunity to get in front of the URSA Mini Pro 4.6K and the DaVinci Resolve Control Panel. This was a new and different approach to looking at products that come through the doors at ProductionHUB. Normally we might get a camera or lighting kit but to get two production/post production related products together was cool. As a production professional (like many of you) I am always looking at the budget and ways to control costs. So the idea of being able to upgrade in the field and enhance the post-production suite without crushing the budget was enticing to say the least. But before I get there, lets take a look at where production always has to start. It starts with the camera of course.
Published on Thursday, August 10, 2017 11:00 AM
NAB 2017 Awards of Excellence Winners Take Center Stage
So before we get to our illustrious winners, I think providing a little background is in order. When the ProductionHUB team set out to chose our Award of Excellence Winners it seemed like such a simple task. Slam dunk, 1, 2 3. Hour to pick the winners tops right? That would be such a resounding NO. Everyone (including me) in that room fought tooth and nail to do one thing. That one thing was to get it right. So after a lot of arguing, persuading, and flat out shouting at each other we had our list. Wasn’t easy or very pretty but when the dust settled there it was. There was so many solid products out there, and I won’t lie we all had our own favorites. But that didn’t matter. So,some four arduous hours later we were done. Best of the best. Let’s go!
Published on Monday, May 8, 2017 9:00 AM
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