51 blog posts found matching keyword search for: Field Audio in Santa Ana
Recording excellent field audio is not a mystery. It's achieved through proper planning and execution of the sound parameters you decided on before the actual production starts. That said, getting the right audio gear for the field is an important part of the production process.
The rise of professional field monitors and recorders (or some combination thereof) has to be one of the most interesting and welcome product developments for filmmakers in recent memory. Pushed by demand for more features and benefits, manufacturers have answered the call. This new breed of smaller yet powerful monitor/recorders takes production capabilities to a whole new level with 4K and beyond.
If you're a fan of college football, you've more than likely watched or at least heard of Auburn University. Think Cam Newton. Imagine what it's like to capture video of all of the crazy game plays and touchdown passes. And how exactly does all of the amazing footage end up on your TV screen? Weston Carter, Director of Video Services, Auburn Athletics Department, answered a few questions about the whole process.
You know sometimes we make such a big deal out of cinematic production that it has been said we forget about the importance of audio. I don’t think that is true at all. If anything, we should spend a lot more time thinking these days about how the audio plays such a big part in the whole production process. Which mics are we going to use? What sound fx? Who is doing the music? Is it an original score? All those questions must be answered because audio matters.
One of the most stressful, complicated things when you think about it, is getting quality video and audio in an environment where it’s next to impossible. One of the things I’ve ventured out to do, is get high-quality video and audio in the world of the outdoors. This was an easy task with the help of the LiveU Solo. LiveU has hit a home run with this product because it’s so easy to use and set up! (Even the least tech savvy person can go live in under 5 minutes. I know, because I timed it!)
Award-winning Filmmaker, Barbara Green, was on the lookout for a mixer to capture dynamic audio for her recent documentary, Packed In A Trunk: The Lost Art of Edith Lake Wilkinson, and she found exactly what she was looking for once she chose Sound Devices' MixPre-D Compact Field Mixer.
Let’s get it straight right from the get-go. Right now there are several very good field recorders/monitors out in the field as we speak. I have had the good fortune of using and reviewing others such as Blackmagic Design Video Assist ($895) and Video Design PIX-E7 ($1695) to name two.
This year might just be getting warmed up, but one of the largest gatherings of music and audio professionals is ready to get things going. With tons of exhibitors and scores (sorry, another bad pun) of workshops, meetings, and award ceremonies the 2018 NAMM show is bound to have something for everyone under the roof of the Anaheim convention center.
When the critically acclaimed action film Baby Driver hit the big screen, audiences got to experience a number of heart pounding, in-your-face motor vehicle sound effects courtesy of Sound Designer/Composer Watson Wu. In order to capture the pristine vehicle sounds, Wu, long regarded as one of the industry leaders in field recording, relied on his trusted equipment from DPA Microphones. He answered a few questions about working on the film and how he got the sounds just right.
The industry continues to grow more and more each year with women filmmakers stepping into critical roles, from directing to camera operation, production design and editing. Each year, ProductionHUB celebrates a few incredible women in the field by highlighting their accomplishments, their stories and advice they have for other women in the industry.