42 blog posts found matching keyword search for: First Assistant Camera in South Carolina
A Conversation with Anastas Michos ASC, Cinematographer of Netflix's upcoming teen rom-com sequel The Kissing Booth 2
Cinematographer of The Kissing Booth 2, Anastas Michos has worked on many renowned film and television projects, including The First Purge, Quantico, Motherless Brooklyn (DOP, 2nd unit), Death to Smoochy, Mona Lisa Smile, and the upcoming graphic-novel based film The Empty Man -- to name a few.
Published on Friday, July 24, 2020 1:00 PM
Learn Cameras with ARRI Academy
ARRI Academy offers a wide range of training courses to help users of all abilities to gain hands-on knowledge of ARRI products and workflows and build their on-set confidence. We sat down with Art Adams, and experienced camera operator and DP, to talk about the upcoming ARRI Academy crash course he's teaching.
Published on Wednesday, May 16, 2018 10:00 AM
10 Things I Overlooked as a Brand New Filmmaker
In indie filmmaking, overpreparation is the key to success. But as a first-time filmmaker on “Alvin,” there were unavoidable pitfalls that I encountered simply because of my lack of knowledge. While everyone's experience will be different, I hope that my 20/20 hindsight can be helpful to other independent filmmakers.
Published on Thursday, January 30, 2020 10:00 AM
Why Every Director Needs an AD
above: Chicago-based AD Stephanie Clemonsby featured blog contributor, Jeremy PinckertAs the Velvet Underground famously sang, “I’m Beginning to See the Light.” Or at least a recent project I was slated to Direct forced me to turn my eyes even more towards a light to which I’ve already been headed. Irregardless, now that I’ve had a look? I ain’t ever going back. Our client, Go RVing, needed a wide-range of marketing video content for Broadcast and Web use, and they brought me in to direct a 4-day shoot on Michigan’s West Coast. The first day was all interviews with actual users telling their unscripted stories to camera. The second and third days involved shooting eight different scenic broll situations with 20+ talent members in various camping situations. The fourth day was a practice in planning, logistics, and highway patrol as we shot seven vehicles on a large stretch of a US highway, through rolling vineyards and driving on wooded country roads.
Published on Wednesday, September 18, 2013 6:08 PM
Budgeting & Scheduling: What the Smallest Productions Can Learn from the Biggest
Gear failures, budget busters, scheduling snafus-video productions are rife with opportunities for things to go wrong. Whether you’re putting together your first small shoot or the 100th episode of a major television program, some scheduling and budgeting tricks can make any production smoother. We asked CrewCloud Manager Ashley LaRocque-formerly a post supervisor for network TV-to share some simple but hard-earned wisdom on ways to save time, money, and headaches.
Published on Tuesday, January 17, 2017 10:00 AM
DJI Ronin: Moving Interview Just Got Easier
After four months of using it in the field, we have compiled some thoughts on the DJI Ronin.
Published on Thursday, October 8, 2015 11:00 AM
Get Up Close and Personal with Canon's CINE-SERVO 50-1000mm T5.0-8.9 lens
DP, Tim Arasheben gives us an inside look at what it's like to shot with Canon's 50-1000mm lens on set on the short film, “Connections." Learn the pros and cons of the lens, along with info about the short and what projects Arasheben has set for the future.
Published on Friday, July 10, 2015 1:48 PM
2018 NAB Preview Part Two
Did you think I was all done with lenses in my 2018 NAB Preview Part One? Not even close. There are just so many great lenses out there to talk about that there always room for more. Before I get to the cameras, here are a few more of the excellent lenses that you will want to see.
Published on Friday, March 30, 2018 10:00 AM
6 Key Aspects to Consider When Budgeting for Your Film
For people who are new to the world of video production, and what goes into producing a high quality piece of work, it can be a little surprising how much planning is involved. Sarah Hickey, creative director and founder of Melbourne based film and video production company Monster & Bear, helped to break down some of the key aspects of pre-production to help with the smooth sailing of your project once on set.
Published on Friday, January 8, 2021 10:00 AM
Be Electric Stays the Course
For this edition of Pivot Point, I caught up with Sean Whalen, Studio Director for Be Electric Studio located in New York City. Be Electric has been around for a while but working in the epicenter has meant a real change. Sean filled us in on what it has been like for Be Electric and the people he works with since the big switch to “remote” workflow.
Published on Monday, April 27, 2020 10:00 AM
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