28 blog posts found matching keyword search for: Gaffer in Amarillo
This season’s Marvel Studios mega grosser Black Panther is scoring big at the box office and with audiences. Under the guidance of DP Rachel Morrison’s Gaffer, Dan Cornwall and Lighting Programmer, Elton James, VER provided Enhanced Environments for three sets on the feature, shot at OFS and EUE/Screen Gem Studios in Atlanta.
The visual effects industry is a turbulent place, but mid-sized studios can endure much like a larger global outfit or a nimble boutique if they place their focus in three core areas: technology development, specialization, and their people.
James Mathers with the Digital Cinema Society shares his thoughts on the recent DCS Lighting Event, along with special guests, exhibitors, images from the event and more.
Matt Leonetti started his career as a camera operator & quickly became a full-fledged cinematographer shooting iconic films, including Poltergeist, Fast Times at Ridgemont High, Weird Science, Jagged Edge, Star Trek: First Contact, Dawn of the Dead, The Butterfly Effect, and Rush Hour 2. Forty years after his first role as director of photography on Bat People (1974), Leonetti continues to shoot, including the upcoming Dumb and Dumber To. Learn how Leonetti paved the way to his success, with tips, advice and much more.
In the spirit of Valentine’s Week, we decided to sprinkle our love onto some of the loyal companies who make our site possible: the employers who consistently hire from ProductionHUB. While there are literally hundreds that caught our eye this month, here is a quick list of those who seemed to captivate ProHUBBers from across the globe. Psst: they are still hiring (wink, wink). Apply below if you think you are a good match.
On February 4, 2017, Nancy Schreiber ASC will be honored with the President’s Award for her contribution to the art of cinematography and service to the industry at the 31st Annual ASC Awards ceremony.
Changes in the Lighting Industry: An In-Depth Look with Mike Jones, Manager, Product and Sales at ARRI
Mike Jones, Manager, Product and Sales at ARRI, gives a glimpse into his start in the industry, current lighting trends and how much the industry has changed since he started his career.
As a video producer or production company, booking a local freelancer for your client-facing shoot is not a task to take lightly. Book the wrong person and you’ll be in quite a jam. Going through the freelance hiring process is half like giving a job interview, and half selling the crew member on the excitement of the project. So it’s certainly both an art and a science. After booking for hundreds of outside freelance crew members, I’ve assembled six key items to look for to avoid disaster and make your out-of-town production a success.
Cinematographers Eric Moynier and Michael Caracciolo shoot NBC's hit series, The Blacklist, with support from Anton/Bauer batteries, Litepanels fixtures, and OConnor fluid heads. Mostly shot on location - including Manhattan, the outer boroughs, Long Island, New York's Rockland and Westchester counties and the stages of Chelsea Piers - the show's dramatic storytelling is a perfect match for the tools.
In this business, it's important to make sure you're getting your name out there. ProductionHUB has helped play an important role in helping me do that as a cinematographer. The ability to bid on jobs has been a great feature, but even better is when a client approaches you because they’ve seen your profile and are interested in hiring you. Instead of a cold email, you’re now getting a direct lead that ProductionHUB did all the work for! Those kinds of leads are great because the client has already vetted your work and is interested in getting a quote from you. This can lead to lasting relationships with new directors, agencies, and production companies.