18 blog posts found matching keyword search for: Grips in Wyoming
Over the years I have had the opportunity to work with some of the best and brightest minds in sports production. Everybody involved in the production side of things has brought their own unique style and expertise to the table - outstanding producers and directors, technical directors, audio engineers with mad skills, rock solid camera ops, and dare I say hundreds of other technicians, grips, and production assistants, and just a lot of other people that make great sports productions happen. But all of the people I have just mentioned whether they were part of a big crew, or of just a crew of two have one thing in common.
Pro sports shoots are always fun to be a part of. Especially when you get to be in the same room interviewing your favorite athletes! Assignment Desk Camera Operator and Grip Paul Critzman III was lucky enough to work as a grip on a pro sports feature interview. Critzman has several tips to share on what makes a good grip.
For those who missed Cine Gear 2013 this past week, this expo offers artists & technicians the opportunity to discover the latest technology & techniques, all while being able to network with industry pros in a professional & fun studio environment.Thanks to ProHUBBer, Kim Karel, she shares her perspective on what you might have missed at the expo this year!
The International Broadcasting Convention just wrapped up in Amsterdam and, like every year, there was no shortage of amazing announcements. In case you weren't able to make the flight over, we have compiled a list of the best announcements from the show.
As a video producer or production company, booking a local freelancer for your client-facing shoot is not a task to take lightly. Book the wrong person and you’ll be in quite a jam. Going through the freelance hiring process is half like giving a job interview, and half selling the crew member on the excitement of the project. So it’s certainly both an art and a science. After booking for hundreds of outside freelance crew members, I’ve assembled six key items to look for to avoid disaster and make your out-of-town production a success.
With wedding season upon us, knowing the basics of shooting a successful cinematic wedding is a must have on any production pro's registry. Learn some quick tips on your way to the chapel that might help you catch the perfect shot, right alongside the bouquet or garder!
It is not uncommon for Jim Oltersdorf to be hanging out of an airplane 10,000 feet above the wilderness to capture a front cover shot or feature story for a national magazine. Specializing in high-risk and extreme imagery, Oltersdorf is known internationally for his portfolio of award-winning footage and still photography, an accumulation of over 44 years of dangerous work.
It’s a lasting dilemma for film crews, production houses, and freelance camera people: Do I buy camera equipment or rent gear on a case-by-case basis? You may purchase the latest and greatest only to find it sitting on the shelf when the next best thing replaces it a month later. We talked to Pierre Habib of Dunia Films to take some of the mystery out of renting camera equipment.
Every year, thousands of hopefuls flock to Los Angeles, Vancouver, and New York with a dream to make it big in the film and television industry. We live in a time where every college student with a phone has become a filmmaker. With so many people to choose from, how hard can it be to hire a professional crew for your production?
Cameras, lights and mics are the backbone of every filmmaker’s arsenal, but are you sure you’ve explored all of your options? There’s plenty of new and exciting gear you have probably never heard of, despite its potential to change the world of filmmaking. We’ve picked out our 5 favorites below.