18 blog posts found matching keyword search for: LUT in Asheville
SmallHD, known for compact, full HD on-camera monitors is giving away a free set of color grades that recreate the unique look of seven different iconic films, and are also publishing multiple video tutorials explaining how to get the most out of these looks during both production and post production-all 100% free of charge to anyone who wants to download them.
I was asked by 4KHUB to do a Sony PXW-FS7 review for their site. I have contributed content to 4KHUB.com since it’s launch (and also to ProductionHUB over the years).
Ad Astra tells the thrilling story of Roy McBride (Brad Pitt), a man on a mission across an unforgiving solar system to uncover the truth about his missing father and his doomed expedition that now, 30 years later, threatens the universe. We spoke with Colorist Greg Fisher about working with cinematographer Hoyte Van Hoytema, ASC and using Blackmagic Design's DaVinci Resolve to achieve the film's unique look.
In our age of software animation, people tend to get excited about tools, but forget to pay attention to the key elements and their work ends up not looking professional. The main purpose of sharing my knowledge today is to help change the mindset of how people animate.
Shudder Original, LUCKY, now available to stream, is about a woman that finds herself as the target of a mysterious man who comes to kill her every night. The film's DP, Julia Swain, talked to ProductionHUB about the story and the use of bold colors to portray the unraveling of the main character's world/sanity, plus collaborating with the director.
After a few months of behind the scenes activity, Cinemartin released new images and specs about their upcoming Fran 8K camera. Rumored to be formally announced sometime later this year, the Cinemartin Fran 8K has the potential to give cinematographers another real choice in digital cinematic cameras.
Color is one part of the creative process that has distinct advantages to being completed in person. Typically, you’re working with the original footage, which can be quite large and hard to transfer over the internet. If you’re the client, it’s best to see exactly what the colorist is seeing. If you’re the colorist, you definitely want your client approving the color on your color calibrated monitor.
Director Robert Connolly and DP Stefan Duscio, ACS mix lens formats on Panavision’s DXL2 for The Dry
Based on the novel by Jane Harper, the feature The Dry stars Eric Bana as Aaron Falk, an Australian Federal Police agent who returns to his rural hometown following an apparent murder-suicide involving an erstwhile friend. As he’s pulled into the investigation, connections emerge to another mystery from Falk’s and the town’s past, and old wounds open anew.
When I was first approached by DJI about reviewing the Zenmuse X7 and the Inspire 2, I said yes without any hesitation. Who wouldn't want to get their hands on this superbly built platform along with the X7? Then it dawned on me. I’ve never flown a drone like this before. Not that I didn’t want to, but it was that darn FAA License thing (or lack of) kind of in the way. I was very tempted to just fly it anyways, but then I thought maybe I would be better off calling in a favor or two to do this review the right way.
Blackmagic Design DaVinci Resolve 15 Studio is a very interesting post-production offering. Resolve 15 Studio has so many options and directions you could lose yourself and endlessly work on improving just that one clip if you don’t keep track of your sessions. Let's take a look at the many facets of Blackmagic Design Resolve 15 Studio.