14 blog posts found matching keyword search for: Location Truck in Westminster
The demand for live televised college sports has never been higher. From all of the biggest and best college football programs to sports that you may never have seen before, the heat is on to produce the type of high production quality that viewers expect. With colleges and conferences building their own networks, it's no wonder that crews are busier than ever. Where do we start?
When I was first approached about doing a product review for SlingStudio (owned by DISH), I was pretty skeptical. What would a huge company known for delivery content know about creating content? But I digress. I come from the traditional sit behind the switcher in the truck produce and punch the show or game. You get it. Big setups, lots of presets and time. Then it dawned on me that multicamera (multi-source) is mostly the same however you approach it. It's really all about scaling your production plan to the scale of the production and what is it that you want your audience to see and experience.
It’s almost the Fourth of July and many of the production pros are loading up for the big outdoor production runs of the summer. But let’s face it — in reality, working outdoors can be a year-round challenge. From freezing rain and blistering heat too long days and nights, executing live multi-camera outdoor productions can be a daunting, yet exhilarating experience.
What if you could produce more live videos without incurring the expense and hassle associated with sending entire production crews and trucks to every venue? And what if you could do that without sacrificing video quality or reliability? The wireless at-home production model allows you to do just that. At-home production is changing the way you can execute live events. Here’s how:
We all know how powerful a creative video can be. But how do you build the right infrastructure AND the right team to tell your stories in a fresh, compelling way?
by featured blog contributor, Jeremy PinckertMost Super Bowl ads are exquisitely planned, taking months of pre-production involving the best creative minds in the business. They also are blessed with stratospheric budgets. But what happens when your client calls you to produce something for the big game, and it’s only weeks away? Put down that Ambien, there’s no need to fret - this survival guide can help you rise to the challenge! The University of Notre Dame found out they needed an “institutional message” to air during college football’s BCS title game. This title game was expected to draw over 30 million viewers, becoming the highest-watched sports game in history outside of the Super Bowl. We received a call to see if I could direct the crew and if my company, Explore Media, could produce the entire spot. The caveat? This happened on a Tuesday morning. They needed to shoot by Friday of the same week! If we wouldn’t have had the background tips I’m going to share in this guide, I don’t think there’s any way we would’ve achieved the results.
As a video producer or production company, booking a local freelancer for your client-facing shoot is not a task to take lightly. Book the wrong person and you’ll be in quite a jam. Going through the freelance hiring process is half like giving a job interview, and half selling the crew member on the excitement of the project. So it’s certainly both an art and a science. After booking for hundreds of outside freelance crew members, I’ve assembled six key items to look for to avoid disaster and make your out-of-town production a success.
Introducing the first annual PRO 100: the 100 most popular profiles on ProductionHUB. These complete profiles are filled with awesome reels, stellar portfolios and generally inspiring work, and when 6 million people are searching through ProductionHUB, the PRO 100 are the ones getting found and hired. See if you made the list!
Whether you're shooting an intense sporting event or the next Lifetime movie, selecting the right lens for the job is critical. Directory of Photography Doug Bischoff of BES Studios shares his advice for choosing the right lens for each project and which lenses are his favorite.
There are a lot of IBC preview lists (including our own) but I wanted to wait until the last minute so I could get you some of the latest info about IBC. So now, with IBC here, it is a perfect time to check out some of the latest gear that will be on display in the exhibition halls in Amsterdam. It is true that almost nothing beats actually getting on the floor to get some hands on time with the new stuff. But sometimes you just can’t get there. We get it. So if you can’t be there, don’t worry, ProductionHUB has you covered. But don’t think we are going to stop there. We plan to continue on extensive coverage during, and after IBC too. Make sure you are checking out the latest show updates on IBCHUB.com. Let’s Go!